Hi Jesse, You might be interested in my animated essay video "On Our Way". You can preview it on Vimeo: vimeo.com/ruthhayes/onourway.
Traveling in Britain in the mid-nineteenth century, Ralph Waldo Emerson reflected on the contrasts between the English and the American landscapes and the relative impact of humans on each. On Our Way is a contemporary response to Emerson, an animated, audio-visual, exploratory collage that contrasts wild and settled western Washington landscapes as a means of considering where we are now, where we are going, and what we have lost. Best, Ruth Hayes http://www.randommotion.com blogs.evergreen.edu/hayesr On Jun 18, 2013, at 4:53 PM, Jesse Malmed wrote: > Hello Frameworkers, > > I'm working on a few new programs of experimental shorts and am hoping you > might have some submissions/suggestions of work you've made or to which > you've made a connection. > "New" "Landscapes" — new looks at old landscapes, old looks at new > landscapes, Peter Hutton gifs, super-8 computer worlds, what we might mean by > virtual landscapes or space scapes in 20(0)13. This one is mostly finished, > but until it is, I'm happy to see new things. > Skeuomorphs (as yet untitled) — related to other curatorial endeavors, > but with a particular interest in how skeuomorphism functions within a > progressive/regressive, experimental moving image culture, thinking of iMovie > "scratched film look," the "clicking" of a cell phone's "shutter," what's > aesthetic about processes and how those forms help a transfer to other > processes. > The third, and now that they're all lined up there are obvious > connections, shared interests and apprehensions, is the least fully formed. > I'm working through something that has to do with time (and space) travel, > with an emphasis on imaginative portals between different realms. That is to > say, expansively: a telephone as a mode of instantaneous travel through > space, a recording/photograph/letter as a mode of time travel back to the > moment of its making, a time capsule as an optimistic grasp at the same. > Thinking and rethinking of cinema in these terms makes sense here. > Accents, dialects, idioms and a generalized feeling that the place from > which people emerge informs who they are, who they'll become, how they'll > speak. This is related more fully to my own work than the others, but will > find its way into the world in a similar way. Impersonations, shibboleths, > pidgins and glocalities welcome. > > Thank you, > Jesse > > -- > // // // J E S S E M A L M E D > 505.690.7899 // [email protected] > www.jessemalmed.net // www.deepleap.net > projective verse // bad at sports > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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