The fact that Noren was an archivist by trade gives hope to the fact that his elements are probably thoughtfully stored somewhere (at least the ones that weren't destroyed in an early fire, if I remember correctly) and would be eventually available for preservation.
C > When I first walked into the Sherman Grinberg Film Library in the old Film > Center Building at 630 9th Avenue in the fall of 1983, I was quite > surprised when I was introduced to Andrew Noren, one of the librarians in > that strange place. I couldn't quite put together my emerging life as a > business-focused archival film researcher with my past watching > ag/experimental films under semi-utopian conditions in California, but > Andrew confirmed that he was indeed the filmmaker whose work had left such > a strong impression before going into the vaults to pick out a few cans of > nitrate neg for me to put on the Moviola flatbed. I recall that he pulled > the Paramount newsreel neg for me showing Fiorello LaGuardia reading the > comics over the radio during the 1945 newspaper strike. In retrospect I > can see how working with nitrate in his day job may have influenced his > sensibility. > > Rick > > Rick Prelinger / @footage > Prelinger Archives, San Francisco http://www.prelinger.com > [email protected] > > Associate Professor, Film & Digital Media, UC Santa Cruz > [email protected] > > Prelinger Library (http://www.prelingerlibrary.org), a member of the > Intersection Incubator, a program of Intersection for the Arts providing > fiscal sponsorship, incubation and consulting to artists > (http://www.theintersection.org). > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
