Animated scratching: Broken Down Film (Osamu Tezuka, 1985) Naomi Uman¹s Removed (1999)
Isidore Isou¹s Venom and Eternity (1951) But, these and the other suggestions so far, um, only scratch the surface. Patrick F. On 8/25/15 3:44 PM, "Carl E Bogner" <[email protected]> wrote: > > > > > Tess, hi - > > > > I had a colleague in the Film Department, recently transplanted to Ann Arbor, > who wouldn¹t let a frame of her film go through the gate unless she had > scratched on it. > > > > I overstate but Naz Dincel¹s practice relentlessly involves scratching on her > film -- or, that is to say, involves relentless scratching. Her film ³Her > Silent Seaming² -- to cite an example -- was a Jury Award winner at FLEX this > year and also screened at Images, among other places. > > > > (I think she has her ear to the ground so she may respond to you off-list? > Naz, contact Tess.) > > > > Also there is that propositional film that Frampton talked about in ³A > Lecture,² its constantly inscribed scratch transplanting what the film is > about from ³Lana Turner² to that very scratch, if I recall correctly. > > > > What¹s with Roger Beebe¹s premature fatigue? Man! > > > > Carl > > Milwaukee > > > > > > > > From: FrameWorks <[email protected]> on behalf of Tess > Takahashi <[email protected]> > Sent: Tuesday, August 25, 2015 2:08 PM > To: Experimental Film Discussion List > Subject: [Frameworks] Titles of scratch films > > I'm doing something on films that employ scratching directly on celluloid like > Brakhage's Chinese Series, David Gatten's Fragrant Portals..., Dona Cameron's > World Trade Alphabet, Barbel Neubauer's work, Pierre Hebert's work, Storm > DeHirsch's Peyote Queen, and Len Lye's Free Radicals. > > What am I missing? Old and New? > > Bonus points it it's set to African drums... > > > > > _______________________________________________ FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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