³Chemical Scratching² - I¹m sticking to that. Yeah.
On 8/25/15 4:26 PM, "Beebe, Roger W." <[email protected]> wrote: > But her Hand Eye Coordination certainly counts, even if Removed doesn¹t > > On Aug 25, 2015, at 5:21 PM, Warren Cockerham <[email protected]> > wrote: > >> Hey Patrick (and Tess).. >> >> I thought that Naomi Uman's REMOVED was a scratched film for many years too. >> But, she told me a few years ago that she applied (clear?) nail polish to the >> parts of the images she wanted to keep -- frame by frame - for many months. >> Then, she gave the film a bleach bath... I guess that's why there are faint >> images of bodies left on the bleached out portions of the film and cracks and >> crevices on the other parts of the image. >> >> hope that helps, >> Warren >> >> On Tue, Aug 25, 2015 at 4:08 PM, Patrick Friel <[email protected]> wrote: >>> Animated scratching: Broken Down Film (Osamu Tezuka, 1985) >>> >>> Naomi Uman¹s Removed (1999) >>> >>> Isidore Isou¹s Venom and Eternity (1951) >>> >>> But, these and the other suggestions so far, um, only scratch the surface. >>> >>> >>> Patrick F. >>> >>> >>> >>> >>> On 8/25/15 3:44 PM, "Carl E Bogner" <[email protected] >>> <http://[email protected]/> > wrote: >>> >>>> >>>> >>>> >>>> >>>> Tess, hi - >>>> >>>> >>>> >>>> I had a colleague in the Film Department, recently transplanted to Ann >>>> Arbor, who wouldn¹t let a frame of her film go through the gate unless she >>>> had scratched on it. >>>> >>>> >>>> >>>> I overstate but Naz Dincel¹s practice relentlessly involves scratching on >>>> her film -- or, that is to say, involves relentless scratching. Her film >>>> ³Her Silent Seaming² -- to cite an example -- was a Jury Award winner at >>>> FLEX this year and also screened at Images, among other places. >>>> >>>> >>>> >>>> (I think she has her ear to the ground so she may respond to you off-list? >>>> Naz, contact Tess.) >>>> >>>> >>>> >>>> Also there is that propositional film that Frampton talked about in ³A >>>> Lecture,² its constantly inscribed scratch transplanting what the film is >>>> about from ³Lana Turner² to that very scratch, if I recall correctly. >>>> >>>> >>>> >>>> What¹s with Roger Beebe¹s premature fatigue? Man! >>>> >>>> >>>> >>>> Carl >>>> >>>> Milwaukee >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> From: FrameWorks <[email protected] >>>> <http://[email protected]/> > on behalf of Tess >>>> Takahashi <[email protected] <http://[email protected]/> > >>>> Sent: Tuesday, August 25, 2015 2:08 PM >>>> To: Experimental Film Discussion List >>>> Subject: [Frameworks] Titles of scratch films >>>> >>>> I'm doing something on films that employ scratching directly on celluloid >>>> like Brakhage's Chinese Series, David Gatten's Fragrant Portals..., Dona >>>> Cameron's World Trade Alphabet, Barbel Neubauer's work, Pierre Hebert's >>>> work, Storm DeHirsch's Peyote Queen, and Len Lye's Free Radicals. >>>> >>>> What am I missing? Old and New? >>>> >>>> Bonus points it it's set to African drums... >>>> >>>> >>>> >>>> >>>> _______________________________________________ FrameWorks mailing list >>>> [email protected] <http://[email protected]/> >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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