Harry smith - early abstractions. נשלח מה-iPhone שלי
ב-26 באוג 2015, בשעה 00:38, Patrick Friel <[email protected]> כתב/ה: > “Chemical Scratching” - I’m sticking to that. Yeah. > > > > On 8/25/15 4:26 PM, "Beebe, Roger W." <[email protected]> wrote: > > But her Hand Eye Coordination certainly counts, even if Removed doesn’t… > > On Aug 25, 2015, at 5:21 PM, Warren Cockerham <[email protected]> > wrote: > > Hey Patrick (and Tess).. > > I thought that Naomi Uman's REMOVED was a scratched film for many years too. > But, she told me a few years ago that she applied (clear?) nail polish to the > parts of the images she wanted to keep -- frame by frame - for many months. > Then, she gave the film a bleach bath... I guess that's why there are faint > images of bodies left on the bleached out portions of the film and cracks and > crevices on the other parts of the image. > > hope that helps, > Warren > > On Tue, Aug 25, 2015 at 4:08 PM, Patrick Friel <[email protected]> wrote: > Animated scratching: Broken Down Film (Osamu Tezuka, 1985) > > Naomi Uman’s Removed (1999) > > Isidore Isou’s Venom and Eternity (1951) > > But, these and the other suggestions so far, um, only scratch the surface. > > > Patrick F. > > > > > On 8/25/15 3:44 PM, "Carl E Bogner" <[email protected] > <http://[email protected]/> > wrote: > > > > > > Tess, hi - > > > > I had a colleague in the Film Department, recently transplanted to Ann Arbor, > who wouldn’t let a frame of her film go through the gate unless she had > scratched on it. > > > > I overstate but Naz Dincel’s practice relentlessly involves scratching on her > film -- or, that is to say, involves relentless scratching. Her film “Her > Silent Seaming” -- to cite an example -- was a Jury Award winner at FLEX this > year and also screened at Images, among other places. > > > > (I think she has her ear to the ground so she may respond to you off-list? > Naz, contact Tess.) > > > > Also there is that propositional film that Frampton talked about in “A > Lecture,” its constantly inscribed scratch transplanting what the film is > about from “Lana Turner” to that very scratch, if I recall correctly. > > > > What’s with Roger Beebe’s premature fatigue? Man! > > > > Carl > > Milwaukee > > > > > > > From: FrameWorks <[email protected] > <http://[email protected]/> > on behalf of Tess > Takahashi <[email protected] <http://[email protected]/> > > Sent: Tuesday, August 25, 2015 2:08 PM > To: Experimental Film Discussion List > Subject: [Frameworks] Titles of scratch films > > I'm doing something on films that employ scratching directly on celluloid > like Brakhage's Chinese Series, David Gatten's Fragrant Portals..., Dona > Cameron's World Trade Alphabet, Barbel Neubauer's work, Pierre Hebert's work, > Storm DeHirsch's Peyote Queen, and Len Lye's Free Radicals. > > What am I missing? Old and New? > > Bonus points it it's set to African drums... > > > > _______________________________________________ FrameWorks mailing list > [email protected] <http://[email protected]/> > https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ FrameWorks mailing list > [email protected]https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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