Hi Zach, Thanks for the follow up to my questions and putting this up online! It's still taking me time to fully wrap my head around what you've been able to accomplish here. My resources at the moment are quite limited in regards to supplies, space and tools after a recent move abroad so I'll move forward with implementing something on a JK for the time being, though I believe your setup is superior in a number of ways, it's beyond what I can accomplish in the next couple of months.
I'm impressed by the execution of your light source and will likely order the parts you've listed in the next couple of days. I would like to engage you in more specific details about the driver hack and code once I can sort out my power supply, heat sink and mounting. I've been seeking something like this out for a while as I also see an opportunity for a greater variety in stocks, color separation methods and programmable/sequenced lighting variables without the use of physical filters while using the JK for film-to-film. Further questions/clarifications: • The camera is set to still or movie and then the preview is what's being used through the HMDI signal to capture? • What is that between the LEDs and gate? (black tube) Is it for reflection, diffusion and/or minimizing stray light? • Was the lens standard purchased/fabricated/salvaged? • Are y axis adjustments made on the lens standard and x/z on the body plate? • Are you able to render at 24p? Thanks, Chris
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