John sounds right to me. I had heard mostly of workprints always, too.
On Oct 22, 2017 5:44 PM, "Jeff Kreines" <j...@kinetta.com> wrote: > I’m surprised that no one has mentioned workprint. Most films were > edited using workprints, a print off the uncut negative — and once that > was “locked” the negative was conformed. While some did edit original > negatives, it was usually for speed — done in the early newsreel days, > and in early TV news when they shot negative and inverted the polarity for > broadcast. > > You can also have the negative transferred to digital files with the edge > numbers in a “flex” file that some editing programs can use, but this > gets more complex than you will want. > > Jeff Kreines > Kinetta > j...@kinetta.com > kinetta.com > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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