Sarah Kennedy *Dirty Fingernails*

Vanessa Renwick
Oregon Department of Kick Ass <http://www.odoka.org>



On Thu, Nov 2, 2017 at 1:37 PM, Jeff Kreines <[email protected]> wrote:

> Joel DeMott’s Demon Lover Diary
>
> (Joel is a woman.)
>
> On Nov 2, 2017, at 3:33 PM, vanessa renwick <[email protected]> wrote:
>
> Crowdog, The Ugly Movie, 9 is a Secret, SF HITCH, and Strabismus all by
> myself.
>
> Vanessa Renwick
> Oregon Department of Kick Ass <http://www.odoka.org/>
>
>
>
> On Thu, Nov 2, 2017 at 12:24 PM, lagonaboba <[email protected]> wrote:
>
>> It seems to me that the list of such films rather long, given the number
>> of women making films.
>>
>> Hermine Freed   *Art Herstory*
>> Vanalyne Green’s works *Spy in the House that Ruth Built*
>> *Saddle Sores*
>> Sadie Benning’s works
>> Moira Davey’s work
>> Trinh T. Minh-ha ’s works
>> Yvonne Rainer’s works
>>
>> and
>>
>> Robert Harris  *Coyote*
>> Chris Marker *Sans Soleil*
>>
>> Look at the Women Make Movies catalog
>>
>>
>>
>> On Nov 2, 2017, at 10:42 AM, Ben Ogrodnik <[email protected]> wrote:
>>
>> Hi all,
>>
>> I am requesting some film suggestions for a list of experimental,
>> independent, and/or feminist-leaning films that contain a woman -- or
>> multiple women -- providing voice-over narration to the images.
>>
>> The works can be from any era, in any format: documentary, animation,
>> fiction, found-footage, anthropological, installation-based, etc.
>>
>> Some well-known examples of this tradition would be: Laura Mulvey and
>> Peter Wollen's *Riddles of the Sphinx*, 1977; Michelle Citron's *Daughter
>> Rite*, 1978; or Su Friedrich's *Sink or Swim*, 1990.
>>
>> Any examples of woman-voiced films that may be lesser known, or made
>> outside EuroAmerican settings, would be greatly appreciated as well!
>>
>> Thanks so much.
>>
>> Sincerely,
>> Ben
>>
>> --
>> Ben Ogrodnik
>> Department of Film Studies // History of Art and Architecture
>> University of Pittsburgh
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>>
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>>
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>
> Jeff Kreines
> Kinetta
> [email protected]
> kinetta.com
>
>
>
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>
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