The amazing film and sound Thanatopsis, Ed Emschwiller also scott bartlett’s Moon 69 and Serpent. and flicker,tony conrad.
> On Dec 21, 2017, at 11:31 PM, Andy Ditzler <[email protected]> wrote: > > Thanks, Mark, for this great list and the reminder of Hammer's Dyketactics. > I'd forgotten that wonderful soundtrack. I'm also reminded now of Ben van > Meter's own electronic soundtrack for S.F. Trips Festival - An Opening, and > for parts of Acid Mantra. > > Andy > >> On Thu, Dec 21, 2017 at 6:33 PM, Mark Toscano <[email protected]> wrote: >> Oh Dem Watermelons' soundtrack is indeed an original Steve Reich >> composition/performance with piano and voices, not electronic. Plastic >> Haircut (1963) contains Reich's first-ever tape piece. Pretty sure the >> Rainbow in Curved Air on Lawder's Corridor is just from the standard record >> - the film does have a 3-minute intro containing different sound which I >> vaguely recall Standish telling me that he made himself, and that he just >> used the LP otherwise and asked Terry Riley if it was OK. >> >> Also Lawder's Raindance has a great electronic soundtrack by Robert Withers. >> >> >> Pat O'Neill has some fantastic experimental and/or electronic soundtracks in >> many of his earlier films - 7362 is by Joseph Byrd and a few of the '70s >> tracks are by Stan Levine. I think Pat did the Runs Good track himself. >> >> Barbara Hammer has a number of films with excellent electronic soundtracks, >> including No No Nooky T.V., Optic Nerve, Dyketactics (by BH herself)... >> >> Carl Stone did tracks for Adam Beckett's Evolution of the Red Star, Jules >> Engel's Accident, and Roberta Friedman & Grahame Weinbren's Amusement Park >> Composition & Decay. Barry Schrader scored Beckett's Heavy-Light. >> >> Rick Corrigan's tracks for some of Brakhage's '80s films are pretty great - >> there was even a cassette release of some of them. >> >> Rhys Chatham did soundtracks for Daina Krumins' Aether and The Divine >> Miracle. >> >> Fred Coulter's electronic track for Richard Myers' Akran is pretty intense >> and interesting. >> >> Carter Thomas did excellent tracks for Kathy Rose's Mirror People and >> Sky-David's Sonoma. >> >> >> Mark T >> >> >> >>> On Thu, Dec 21, 2017 at 1:59 PM, Andy Ditzler <[email protected]> wrote: >>> I think Reich's soundtrack for Watermelons is just piano and voices, though >>> I could be misremembering. A Reich tape collage piece forms the central >>> section of Robert Nelson's Plastic Haircut. >>> >>> Also, Mick Jagger's Moog soundtrack for Kenneth Anger's Invocation of My >>> Demon Brother. >>> >>> The original version of Gordon Matta-Clark's Office Baroque I believe had >>> an electronic soundtrack. This was later replaced by Richard Landry's >>> saxophone-based soundtrack, but if memory serves this had electronic >>> effects and looping as well. >>> >>> I suppose the ascending sine wave tone in Wavelength would count! >>> >>> >>> Andy Ditzler >>> Founder and curator, Film Love: www.filmlove.org >>> Co-founder, John Q collective: www.johnq.org >>> Fall 2017: Film Love presents The American Music Show retrospective >>> >>>> On Thu, Dec 21, 2017 at 7:49 AM, Ingo Petzke <[email protected]> wrote: >>>> Don’t forget the early (tape) work by Steve Reich as can be heard in “Oh >>>> dem watermelons” by Robert Nelson 1965 [though the by-far best of these >>>> early pieces “Come out to show them” unfortunately never made it into a >>>> film soundtrack] >>>> >>>> Also, “Corridor” by Standish Lawder 1971 uses a slightly prolonged version >>>> of “Rainbow in Curved Air” by Riley. >>>> >>>> “Binary Bit Patterns” 1969 by Michael Whitney uses what sounds like >>>> computer-generated music. >>>> >>>> >>>> >>>> Ingo >>>> >>>> >>>> >>>> Von: FrameWorks [mailto:[email protected]] Im Auftrag >>>> von Elena Duque >>>> Gesendet: Donnerstag, 21. Dezember 2017 13:03 >>>> An: Experimental Film Discussion List <[email protected]> >>>> Betreff: Re: [Frameworks] Electronic Soundtracks for Avant-Garde Films >>>> >>>> >>>> >>>> Hello! >>>> >>>> >>>> >>>> The films by Lillian Schwartz have very nice electronic music soundtracks: >>>> >>>> http://lillian.com/films/ >>>> >>>> >>>> >>>> Bruce Conner's Crossroads, with music by Terry Riley and Patrick Gleeson >>>> >>>> >>>> >>>> Not sure if sound experiments like Lis Rhodes or Robert Russett count... >>>> >>>> >>>> >>>> 2017-12-21 12:38 GMT+01:00 Albert Alcoz <[email protected]>: >>>> >>>> Hello all, >>>> >>>> >>>> >>>> After asking about jazz >>>> >>>> and >>>> >>>> music an experimental film >>>> >>>> , >>>> >>>> and feeling grateful for all the answers, I was wondering about the >>>> connections between early electronic music and avant-garde film. >>>> >>>> >>>> >>>> Recently I watched OFFON (1967-72) by Scott Bartlett with a “sound >>>> composition” by Manny Meyer. >>>> >>>> >>>> >>>> Again, there should be plenty of avant-garde films where the soundtrack is >>>> instrumental electronic music or experimental >>>> >>>> abstract >>>> >>>> sound created with magnetic tape recorders, synthesizers, electronic >>>> tools, etc. >>>> >>>> >>>> >>>> Maybe one question would be to define what is considered to be early >>>> electronic music but anyway, lets try it. >>>> >>>> >>>> >>>> Does anyone remember some other avant-garde films with >>>> >>>> early >>>> >>>> electronic music >>>> >>>> from the 50's, 60's, 70's even 80's >>>> >>>> ? >>>> >>>> >>>> >>>> Right now here’s the first list: >>>> >>>> >>>> >>>> Cybernetik 5.3 (1968) by John Stehura. Music: Tod Dockstader. >>>> >>>> >>>> >>>> Crystals (1968) by Herbert Loebel. Music: Michael Lloyd. >>>> >>>> >>>> >>>> Rohfilm (1968) by Birgit & Wilhelm Hein. Music: Christian Michaelis. >>>> >>>> >>>> >>>> Two Images for a Computer Piece (1969) by Lloyd Williams. Music: Vladimir >>>> Ussachevsky. >>>> >>>> >>>> >>>> Variations on a Cellophane Wrapper (1970) by David Rimmer. Music: Don >>>> Druick. >>>> >>>> >>>> >>>> Berlin Horse (1970) de Malcolm Le Grice. Music: Brian Eno. >>>> >>>> >>>> >>>> Mutations (1973) by Lilian F. Schwartz. Music: Jean Claude Risset. >>>> >>>> >>>> >>>> Several films by Dore O. and Werner Nekes with sountracks by Anthony Moore >>>> like Diwan (1973) or Kaskara (1974). >>>> >>>> >>>> >>>> Riddles of the Sphinx (1977) by Laura Mulvey and Peter Wollen. Music: Mike >>>> Ratledge. >>>> >>>> >>>> >>>> Thanks in advance, >>>> >>>> >>>> >>>> Albert Alcoz >>>> >>>> >>>> >>>> -- >>>> >>>> http://visionaryfilm.net/ >>>> http://albertalcoz.com/ >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>>> >>>> >>>> >>>> >>>> -- >>>> >>>> Elena Duque Viña >>>> Telf: (+34) 605431072 >>>> http://cargocollective.com/elenaduque >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > > Andy Ditzler > Founder and curator, Film Love: www.filmlove.org > Co-founder, John Q collective: www.johnq.org > > Fall 2017: Film Love presents The American Music Show retrospective > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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