Correction to my post I shoot 7373 and 7378 and not 7363. The information I
posted was for those two stocks and NOT 7363. I have never had good luck
shooting with that material. My misread of the post.

On Tue, Apr 24, 2018 at 6:41 PM, Colin Brant <[email protected]> wrote:

> Thank y'all for these responses!
>
> Seth, that is a great resource to know about, thanks for sending the link!
>
> Chris, I'm very curious about this idea that 7363 is "process to
> completion"! Are you saying that when it is "done" it's done and any extra
> time in the developer will not affect density? Just curious because I've
> heard of that for Fix but never for developer. The Kodak tech sheet, in
> regard to developer time, says "*develope to recommended control gamma*"
> which is defined as 2.90 to 3.20.
>
> Jason, my next tests are going to be at ASA 25... we'll see what happens :
> )
>
> Thanks again!
> Cin cin,
> cb
>
>
>
> On Mon, Apr 23, 2018 at 11:55 PM, Jason Halprin <[email protected]>
> wrote:
>
>> Oh, and I seem to recall a friend stating that they rated 7363 as ISO 25,
>> and developed in D-19 1:1 for 9 minutes (as neg, spaghetti-bucket)
>>
>> Jason Halprin
>> [email protected]
>> jasonhalprin.com <[email protected]>
>>
>> On Mon, Apr 23, 2018 at 11:54 PM, Jason Halprin <[email protected]>
>> wrote:
>>
>>> For what it's worth, I shoot 7363 rated at ISO 6, and develop as neg in
>>> Dektol 4:1 for 90 sec (spaghetti-bucket method).
>>>
>>> -JH
>>>
>>> Jason Halprin
>>> [email protected]
>>> jasonhalprin.com <[email protected]>
>>>
>>> On Sat, Apr 21, 2018 at 6:03 AM, Chris G <[email protected]> wrote:
>>>
>>>> Generally when I want to get a broader tonal range with 7363 I process
>>>> it in a paper developer like Dektol. I used Sprint paper developer
>>>> sometimes too. Never tried this with reversal though. The film is process
>>>> to completion so you can’t really overdevelop it. For less contrast you
>>>> could also try a lower concentration of developer.
>>>>
>>>> Chris Gorski
>>>>
>>>> On Apr 21, 2018, at 01:57, Dominic Angerame <[email protected]>
>>>> wrote:
>>>>
>>>> I use this stock all the time I have it processed as reversal and rate
>>>> it anywhere between 10 or 12 asa i send processing out to a lab the stock
>>>> is tricky because it has very few greys if you want to sell any let me know
>>>> I still film with it contact me off sight for other tips
>>>> [email protected]
>>>>
>>>> Sent from my iPhone
>>>>
>>>> On Apr 20, 2018, at 3:52 PM, Isaac Brooks <[email protected]>
>>>> wrote:
>>>>
>>>> For the D19 treatment/negative I've rated it at a 25 ASA with
>>>> consistent results. If you have sealed D19, use it with that film.
>>>>
>>>> Isaac
>>>>
>>>> On Fri, Apr 20, 2018 at 5:30 PM Colin Brant <[email protected]>
>>>> wrote:
>>>>
>>>>> Dear Frameworks,
>>>>>
>>>>> I am having trouble finding consensus on how to shoot and process
>>>>> Kodak's now discontinued 7363 hi-con stock. I bought a bunch from the last
>>>>> run they did (2015 I believe) and am now starting to shoot it. I know that
>>>>> there have been threads that address this in the past (one even came up in
>>>>> a google search) and that this issue, or similar ones, are touched on in
>>>>> books like Kathryn Ramey's textbook -- but even so, I'm still left
>>>>> wondering how to rate it, and how to leave it in developer.
>>>>>
>>>>> My desire: shoot 7363 in daylight, develope in Lomo tank without
>>>>> push/pull in D19 as B&W Neg.
>>>>>
>>>>> In the first test I did, it was shot at 6ASA and developed for about
>>>>> 6min and this resulted in a mostly overexposed negative. Also, I'm most
>>>>> familiar with D19 so am not sure if there might be other equivalent
>>>>> developers requiring the same timing that could give me an idea of where 
>>>>> to
>>>>> begin.
>>>>>
>>>>> Any insight y'all may have would be greatly appreciated!
>>>>> cb
>>>>>
>>>>> _______________________________________________
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>>>>>
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