“Amarrando Pueblo” by Carlos Mayolo and Luis Ospina. 

"My head is made of the same matter of the sun"

> On Jul 10, 2018, at 5:35 PM, Scott MacDonald <smacd...@hamilton.edu> wrote:
> 
> Well, all I'll say is that I don't see Punishment Park as "clueless"; Jeff 
> does.
> 
> But, Sonya, you might find PP interesting, given your topic. The assemblage 
> of people gathered for the film were playing roles that allowed them to speak 
> as themselves, about current issues they cared about--they weren't 
> professional actors.
> 
> Good luck with your process.
> 
> Scott
> 
>> On Tue, Jul 10, 2018 at 6:15 PM, Jeff Kreines <j...@kinetta.com> wrote:
>> Eliminating mediocre docudramas from the genre “documentaries” is hardly 
>> narrowing the definition. I dislike the D-word, perhaps because it has 
>> become meaningless due to arguments like this. 
>> 
>> I prefer the term “non-fiction.”
>> 
>> Punishment Park is a somewhat clueless exercise using actors, um, 
>> enunciating their “feelings,” as you point out. 
>> 
>> I suppose one could view it as a “documentary” about actors exploring their 
>> “feelings,” but it fails as that. 
>> 
>> This reminds me of the Academy awarding “Best Documentary” to a 
>> Wolper-produced insect-fear film called The Hellstrom Chronicles.  I suppose 
>> the insect footage might be “real.”  But little else. 
>> 
>> The late-60s and early 70s spawned a lot of faux-documentaries, or films 
>> that coopted that era’s non-fiction style. Is FACES a documentary?  Wanda?  
>> The Candidate?  What about Spinal Tap?
>> 
>> I realize that few people care about these distinctions anymore.  
>> 
>> Jeff Kreines
>> Kinetta
>> j...@kinetta.com
>> kinetta.com
>> 
>> Sent from iPhone. 
>> 
>>> On Jul 10, 2018, at 3:43 PM, Scott MacDonald <smacd...@hamilton.edu> wrote:
>>> 
>>> Naaah, Punishment Park is not just faux doc style applied to fiction. 
>>> Watkins devised a fictional situation (based on aspects of the political 
>>> reality of that moment and a premonition of where reality might go next, as 
>>> of 1970), set up so that actors playing their real ideological selves (that 
>>> is, cast to play themselves and improvise their own dialogue) could 
>>> enunciate what they were actually feeling in 1971 and have their 
>>> impassioned arguments with each other documented--as the war in Vietnam 
>>> continued.
>>> 
>>> I don't think Sonya is looking for a narrow definition of "documentary." 
>>> 
>>>> On Tue, Jul 10, 2018 at 3:47 PM, Jeff Kreines <j...@kinetta.com> wrote:
>>>> None of those Peter Watkins films are documentaries. Faux-documentary 
>>>> style applied to fiction does not a documentary make.  You should know 
>>>> better. 
>>>> 
>>>> Jeff Kreines
>>>> Kinetta
>>>> j...@kinetta.com
>>>> kinetta.com
>>>> 
>>>> Sent from iPhone. 
>>>> 
>>>>> On Jul 10, 2018, at 2:09 PM, luis ? <mabaluf...@gmail.com> wrote:
>>>>> 
>>>>> 25Cines/seg (2017) Luis Macías
>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>>> El mar., 10 jul. 2018 a las 20:17, Jeff Kreines (<j...@kinetta.com>) 
>>>>>> escribió:
>>>>>> Demon Lover Diary, by Joel DeMott. 
>>>>>> 
>>>>>> Jeff Kreines
>>>>>> Kinetta
>>>>>> j...@kinetta.com
>>>>>> kinetta.com
>>>>>> 
>>>>>> Sent from iPhone. 
>>>>>> 
>>>>>>> On Jul 10, 2018, at 12:22 PM, Sonya Mladenova 
>>>>>>> <sonya.mladen...@gmail.com> wrote:
>>>>>>> 
>>>>>>> Hello everyone,
>>>>>>> 
>>>>>>> Looking for documentary films shot with/within a group of people 
>>>>>>> engaged in an activity or some kind of project, independently or in an 
>>>>>>> organized environment, in which the filmmaker is a visible and/or an 
>>>>>>> active participatory presence. I'm especially interested in films from 
>>>>>>> the last 25-30 years. I'm investigating the relationship between the 
>>>>>>> filmed person(s) and the person(s) filming, whatever the configuration.
>>>>>>> 
>>>>>>> Somes examples, but not limited in scope:
>>>>>>> Starless Dreams by Mehrdad Oskouei 
>>>>>>> À ciel ouvert by Mariana Otero
>>>>>>> La moindre des choses by Nicolas Philibert
>>>>>>> 
>>>>>>> Many many thanks,
>>>>>>> 
>>>>>>> Sonya
>>>>>>> 
>>>>>>> 
>>>>>>> 
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