Robert C. wrote: 

And perhaps by acknowledging Peter's "I truly can't believe anyone, even a
Friamer, could pick up the volume cold and derive anything from it" avoid
said problem with the right teacher.

I want to squelch the idea of "teacher" right off the bat.  Places too much
emphasis on The Expert.  I know this sounds paradoxical for me to say, after
my emphasis on the importance of having an expert present in the group.  But
as we are thinking about what we are going to do with Robert's Wonderful
List, I think we have to bear in mind that if Peter is correct, no "teacher"
can rescue us.    

Nick 



-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf
Of Robert J. Cordingley
Sent: Thursday, October 14, 2010 8:33 PM
To: The Friday Morning Applied Complexity Coffee Group
Subject: Re: [FRIAM] The 10 Best Literary Works - the envelope please!

  As the poser of the original question...

The Case for a Literary Education (as portrayed in my Joseph Epstein
post) did little to justify the effort in my mind.  I felt I could come up
with a better justification.  But then I reflected that it depends on one's
time of life.

For college age students a Literary Education may bear directly on one's
career/life style goals.  By studying the tales spun, not only might it
increase one's vocabulary it might improve one's written communication
skills for the benefit of many professional careers.  Reports (technical and
otherwise) have to be written, news stories submitted and other literary
works created.  All economic reasons.

Later, it tends to fall into the category of entertainment either for the
sheer fun of it, or in order to share a common interest with other
like-minded fellow human beings.  These days I am led more by curiosity to
see what all the fuss is about than anything else.  I don't buy into the
idea that it would help understand the 'human condition' because after all
we are talking about fiction.

If Nick is successful in finding one, I see value in a leader/facilitator
helping us potential seminar attendees get a better perspective, see the
deeper meaning - if there is one - and feel personally enriched from the
experience. And after all (someone posted) it is Art and isn't that what Art
is for? And perhaps by acknowledging Peter's "I truly can't believe anyone,
even a Friamer, could pick up the volume cold and derive anything from it"
avoid said problem with the right teacher.

Thanks
Robert C


On 10/14/10 7:13 PM, Stephen Thompson wrote:
>  Back to the original purpose of the 10 literary fiction works one 
> should read to
> be considered literature literate:   what was the purpose of the 
> original question?
>
> What does it mean to be literate in literature?
>
> 1.  Just to have read the 'great works' of fiction?
> 2.  To read a great example of **character development**?
>        (a) early seminal works?
>        (b) later development of the technique?
>        (c) the development of the technique over a period of decades 
> or centuries?
>        (d) the fully developed epitome of the "technique"?
>
> Now insert any of the following words in place of "character development"
> > plot and episode development
> > descriptions (details,  word-pictures of the settings etc)
>   (in movie terms: the cinematography behind the story)
> > verisimilitude to real life (at that time in history)
> > a great yarn
> > a lesson of behavior, morals, etc.
> >  others?
>
> Doesn't literate mean to be able to know why a particular book is
> in the great fiction canon?  There are works in that may be depressing 
> as hell
> to read, but they exhibit something that make the work great.
>
> So are you reading these books because you are looking for "a great 
> yarn"?
> To say you have read the great books?
> To compare character development between dead 
> white-northern-European-male and live-Hispanic-female writers?
>
> Presumably you want to increase your understanding of the human condition
> as illustrated in certain works.  As well as just knowing a few 
> "cultural facts"
> such as what is conjured up in the mind by "..what light through 
> yonder window breaks?"
> or "..if his chest were a cannon he would have shot his heart upon 
> it."  (that's the idea ,but
> I can't quite recall the exact quote.
>
> Will the reader be able to come to a greater understanding by reading 
> the work
> alone?  Need a commentary or study guide to develop the sensitivity to 
> the
> value of that particular work?  Study group?
>
> The list of 10 to 100 are great books all.  But what do you want to 
> accomplish
> by the end of 6-months, 12-months, 24-months?
> Just know the story or **why** its a great story?
>
> Steph T
>
>
>
>
> On 10/13/2010 10:27 PM, Steve Smith wrote:
>>  Glen -
>>> I hope that large bowl of spaghetti-sentences helps clarify what I
>>> meant. ;-)
>> Oddly enough, It worked for me.
>>> What we engaged in, here, is an exercise in credibility and reputation.
>> I also particularly liked your endorsement of a wide variety of 
>> recommendation (provided by self-proclaimed wackos, as it were).   I 
>> could have used *even more* radical suggestions but there were 
>> certainly some and your own list of authors in your explanation was a 
>> good reminder of how broad our collective knowledge/wisdom base is 
>> *even* while sticking to (mostly) dead (or soon to be) white men.
>>
>> - Steve
>>
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>>
>
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>

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