On 14 Oct 2010 at 20:32, Robert J. Cordingley wrote:

> I don't buy into 
> the idea that it would help understand the 'human condition' because 
> after all we are talking about fiction.

What Nick elided when he brought that up (and what,
to my memory, always *did* get elided when he brought
it up before [and I was around, which was certainly 
only a fraction of the times he did it]) is that a 
(modern) work of fiction surely must (although, e.g., 
Nabakov furiously denied it, according to Martin 
Gardner in the _Annotated Alice_ [and why isn't 
that on the list?]: but he did so in the context
of Freudian literary analysis) be a rich source of
data about the particular "human condition" of its
author (given what appear to be modern Western 
norms about "creating fiction"--norms that don't 
or needn't necessarily apply to Cervantes or 
_The Tale of Genji_, and *maybe* not to [some]
contemporary [maybe not "modern"?] non-"Western"
authors).  Extrapolating from that to the idea
that the same data tells anything, much, about
the general "human condition" (assuming that 
there is such a thing) is a big leap, and one 
that needs its own justifications (in addition 
to whatever justifications might need to be made 
for the word "surely" I used above).

That is (to slip into a jargon I hear a lot, now,
but which isn't really native to me), a work of
fiction can (probably) be used as an *idiographic*
study of the "human condition" (if one wants to
use it that way), but getting from one idiographic
study (or a whole batch of them) to general 
conclusions is ... difficult.

Lee Rudolph

P.S. I didn't say a *single* *mean* *thing*
about "Freudian literary analysis".  The reader
is invited to do so on my behalf (or, if of a
literary turn, could track down what Nabakov
had to say about it, which surely used longer
words than "piece of shit" to convey contempt;
personally, I can't bear to read Nabakov,
give me Martin Gardner and Lewis Carroll
any day).



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