At 14:22  -0800 2007/03/10, Oleg Kobchenko wrote:

A good example of typesetting APL is
  Dictionary of APL http://doi.acm.org/10.1145/36983.36984
Does anybody know,
What font was used to typeset DoA and is this font
available as METAFONT or Type 1 font, free or not?


I believe that DoA was typeset using my Type 1 PS APL
font that evolved from my paper "APL pi" at APL/81 -
It has been made available in various forms over the
years, some paid for, mostly free. Even though I was
a student in the first ever MF class taught by Donald
Knuth, Charles Bigelow, and Richard Southall (Spring
semester 1984 at Stanford), I didn't use METAFONT to
do the APL font, but instead Fontographer on a Mac.

I say "I believe" above, because I'm relying on memory
since I don't have subscription access to the DoA
on the ACM site. A sure sign that it was my font is
the vertical placement of the Greek letters - I had
them on the "function center" so that expressions like
<alpha> + <omega> aligned vertically. This was always
a controversial choice, and perhaps even more argued
was my choice of italic (rather than slanted) lower
case alphabetics... Certainly my font was the one used
in Eugene McDonnell's "Life: Nasty, Brutish, and Short".

As I said above, various people have asked (and received)
permission to use and distribute my fonts - some have
modified them, e.g. to use slanted (or even upright)
Roman letters. I don't understand your remark, "PDFs
end up as pixelated Type 3." PostScript Type 3 fonts
are not pixels - but they are a "more open" version
of Type 1 (and don't have as many parameters such as
hinting etc.)

All of this discussion, and the folks (e.g. Roger and
Devon) who wince at the difficulty of displaying old
papers are the things Ken thought a lot about when he
made the tough decision to leave the lovely APL symbols
behind. Practicality over esthetics...

- joey

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