On Monday 22 May 2006 3:42 pm, Audrey Bergeron-Morin wrote:
[snip]

> So, when I joined the SCA, sewing became the way to obtain the
> costumes I wanted. I think to this day I like "having made" something
> more than I like "making" it.

I am *so* with you there.  That is *exactly* why I sew, and if I could get 
exactly what I want without sewing it myself (and could afford to pay for it, 
of course) I would.  When I can, I do.

> I had to learn to make clothes without a 
> pattern (thanks Kass - and her reconstructinghistory website),
> something my mother wouldn't do. 

Something my mother *couldn't* do.  She sewed in a "sweatshop" for a living, 
and didn't really enjoy it.


> I learned mostly by reading mailing 
> lists and websites.

Ditto.

>
> I love thinking about projects, planning, researching, buying fabric
> and accessories, 

In agreement with you so far!

> washing, preparing and ironing the fabric, 

This part I can live without.

> but then I  
> get stuck because I HATE HATE HATE marking, pinning and cutting.
> Sometimes a project will sit in a box for years before I start because
> I just can't bring myself to lay it out and cut. 

Me too.  Though "hate" isn't quite the right word for the way I feel.  "Dread" 
is more like it.

> The sewing stage 
> itself doesn't bother me. It's not something I enjoy doing, but I
> don't hate it either. 

Ditto.

> Fitting doesn't bother me either, but fitting 
> myself is kind of a hassle - I really have to get a dress dummy at
> some point. 

There's a reason I seldom make styles that require any significant amounts of 
fitting....

> Then I get to the other part I love - hand-finishing. 
> Hemming, finishing the inside seams, all of that.

I don't mind doing hand-finishing--so long as there isn't too much of it, but 
I'm not wild about it either.  It's refreshing, hearing somebody else give 
vent to my pet peeves about costuming, for a change!


-- 
Cathy Raymond <[EMAIL PROTECTED]>

"I'm starting to like the cut of this man's gibberish."
--General Fillmore (from "The Tick," episode 2)

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