Saragrace Knauf wrote:
> Okay - now that I can read the text, I understand what Robin was saying - 
 > the figures 257 and 258 are not from the Deposition/Lamentation by
 > Gerard David....so now to hunt down the reference MS No D IX...

Yeah, well, good luck with that (see my previous post). I'm sure a little time 
in a good university library, with a manuscript catalog from the BL, would 
turn up some candidates for "D ix" other than the two 15th-century 
possibilities I listed earlier, but then you'd have to comb each of those 
books to find which image it might be (since Houston doesn't give folio 
numbers). BL has some of its illuminated mss online, but not anything from 
Royal or Cotton (and I think not from Harley either), which are really big, 
important collections. BL may have a full list of mss online somewhere, but 
the only search function I saw there in a cursory glance only covered those 
mss for which actual page images were online.

Bear in mind also that Houston very likely never saw the original 
illumination. A lot of her images are redrawings from earlier costume 
books--I've recognized some taken from Planche, Strutt, and Jacquemin--with 
those authors' "adjustments" incorporated and her own added. Her bibliography 
lists these sources and others, all of them secondary. (Some of her images 
come from published rubbings of monumental brasses, and she cites several 
standard references of those; those at least will be slightly less removed 
from the original sources than her redrawings from other costume authors.)

Houston's error in the shelfmark for "D. ix" could easily have been a 
misunderstanding or mistranscription of a fuller shelfmark cited by a previous 
author. Strutt in particular took a huge proportion of his images from mss in 
the British Library (and he *did* examine the originals and drew directly from 
them, and reasonably well), and he sourced everything by shelfmark. So if you 
can get your hands on a copy of Strutt, that might be a good place to look to 
identify the right MS. Planche mostly copied from Strutt, and Fairholt from 
both of them. IIRC, Jacquemin used mostly French sources, including some from 
the Bib. Nationale de Paris.

--Robin


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