Of course, there is also the "your fault" method.
That's glaring at the guitar player etc when you hear an odd sound :)
Colin Hill
----- Original Message ----- From: "Jens Walter" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Tuesday, June 17, 2008 11:33 AM
Subject: Re: [HG] Re: [HurdyGurdyForum] Intonation and tuning



I have the same problem, I also play in G, C, D both minor and major. It is for example not possible to tune the A exactly to G, C and D, which gives especially problems if I use matching drones. For a long time I tried to find the best compromise (always depending on the music I played during a period), but meanwhile I prefer to use a temperated tuning with a few exeptions (e.g. the e matching exactly to c). It gives less fun to play barock-music but makes life easier and most of the auditory doesn't realise the difference.

I never had special problems playing with other melody instrumenst as flute, recorder, violin, ... no matter wheter I play equal or temperated tuned.

But in my experience drone instuments don't fit well with guitar (rhythm not picking) - there are always a lot of queer notes resulting from the guitar's chords and the drones. If I play together with guitar I sense the sound very "swampy". By time I have a trio with violin/viola and cello, a combination I like very much.

What are your experiences?

Jens



Augusto de Ornellas Abreu schrieb:
One thing I never understood quite well, and I have asked and no one ever gave me a straight answer... For my particular situation, in which I am going to play in a band with the following instruments
 acoustic guitar
bass (either bass acoustic guitar or eletric bass)
silver flute
recorder or clarinet or tinwhistle (one of them, since it's the same player!)
violin (probably tuned in just/perfect fifths)
voice
(percussion)
and provided I stick to regular HG tunes in G major, G minor (both with a D trompette), C major and C minor (both with a C trompette - I have a capo on my trompette for that), and maybe D and D minor (disengaging the G and g chanterelles, engaging the D chanterelle (3rd chanterelle) and playing with a D trompette and raising a drone to D) Can I tune my HG to just temperment and still play this standard HG tunes with my mates? Remember, the two other main melodic instruments - the violin (in perfect fifths) and the flute - are pretty fluid in intonation, but the guitar and the bass aren't that much because of the frets... Will we sound better than if I just give up and accept the imperfection of equal temperment? I like Graham's article a lot and I intend to experiment just temperment on myself, but I want to know if I will sound any better in the band using these adjustments.
 Cheers
 Augusto Ornellas
On Fri, Jun 13, 2008 at 4:19 PM, Graham Whyte <[EMAIL PROTECTED] <mailto:[EMAIL PROTECTED]>> wrote:

    You could also look at my paper
    "Tuning and Temperament"
    I presented it at the 2002 Over the Water Festival
    Discussion of the advantages of not using Equal Temperament on the
    Hurdy
    Gurdy.
    Includes instructions for setting Just Temperament with a standard
    tuning
    meter

    You can find it at
    http://www.hurdygurdy.org/resources.html

    Graham



    -----Original Message-----
    From: [EMAIL PROTECTED]
    <mailto:HurdyGurdyForum%40yahoogroups.co.uk>
    [mailto:[EMAIL PROTECTED]
    <mailto:HurdyGurdyForum%40yahoogroups.co.uk>]On Behalf Of Steve Evans
    Sent: 13 June 2008 13:51
    To: [EMAIL PROTECTED]
    <mailto:HurdyGurdyForum%40yahoogroups.co.uk>
    Subject: [HurdyGurdyForum] Intonation and tuning

    Hi All,

    for those of you with an interest in intonation in relation to the
    hurdy gurdy, I've just come across a top article on the web.It
    includes a vey practical hands-on guide. Perhaps someone on the forum
    could embed it on the "Links" page for us all.

    http://www.orfeo-fiato.nl/hurdy_gurdy_tuning.html

    Enjoy

    Steve

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