As I read it, we're talking reinforcement, not recording - two different animals.
Another vote for "play the dynamics". As much as possible, everyone in the pit should strive to create the proper balance/dynamics/etc. acoustically and ignore the mics. Both you and the engineer will be happier. "Remember, I'm pullin' for you. We're all in this together" - Red Greene Jake (amateur horn guy, professional sound guy) On 2/14/2010 5:49 PM, Leslie wrote: > > > I'm in a production of Sweeney Todd in which the entire orchestra is being > miked. The horn will have its own mike near the bell. Should I play dynamics > or is that taken out of my hands by an engineer? > > Thanks, > Leslie > > _______________________________________________ > post: [email protected] > unsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/jbewalt%40iastate.edu > > _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
