Hello Richard, KALMUS has done a lot of such things. Even it is not allowed here in Germany to use these KALMUS reprints if there are still rights of publishers or authors are involved, these parts appear on several occasions even in big theatres.
These KALMUS people are so stupid, that they erase even corrections of wrong notes & multiply the parts then. Regards from Munich - Happy Easter Hans ############################################################## Am 03.04.2010 um 08:28 schrieb Richard V. West: > My apologies for double posting, but I can't recall which list had a > recent discussion of Dukas' Sorcerer's Apprentice and attendant problems. > > Our orchestra has just begun rehearsals on that obscure and unknown > work, the Franck D minor Symphony :-). The music is "courtesy of Kalmus" > and I noticed that it was a copy of the original French edition, notated > just like the Sorcerer's Apprentice (1st and 2nd on the same page). I > also noticed that it has the same lousy, badly placed page turns as the > Dukas, which was recently discussed on one of the lists. > > Looking at it during the first rehearsal and muttering to myself, I had > an epiphany: it was not the original publisher's fault. My guess is that > in order to use less paper, or out of sheer carelessness, Kalmus simply > copied the original parts from the outside rather than inside. Confused? > What I mean is that if you left the first page blank (probably had the > title on it), and started on the inside left page, with the next page on > the right facing it when propped on the music stand, the rests would > come in the right place. I recopied the Franck that way and it works > beautifully except for one page turn. Did it on the Dukas, and it isn't > absolutely perfect (sometimes there's only one bar rest) but it is > certainly more feasible then the Kalmus version. > > By the way, I agree about that passage in the Dukas between 49 and 50. > It is truly tough. It took me a lot of work to get it accurately up to > speed. Well...at least up to speed! The second horn was about to give up > and take up the kazoo. > > Apropos echo horn in the Dukas, I'm curious to know how you all do it. > It's relatively rare in the literature, so there aren't a lot of > opportunities to do it. I played it by hand stopping the horn about 3/4 > or so to lower the tone a 1/2 step and fingering the passage a 1/2 step > higher to play the written pitch. Are there other ways? > > Richard in Seattle > _______________________________________________ > post: [email protected] > unsubscribe or set options at > https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
