Well, I did have the idea of making the very first book of Uncharacteristic 
 Etudes for Horn. With so many books of characteristic etudes, why not even 
the  balance. At least someone besides myself might get a laugh out of it.
 
-William
 
 
In a message dated 12/27/2010 8:12:19 P.M. Eastern Standard Time,  
[email protected] writes:

You  know, maybe I'm just bored sitting here snowed in, but I think a lot 
of crap  is being talked about quarter tones.

Any good horn player with two ears  capable of hearing a quarter tone 
difference in pitch will have no difficulty  playing them using exactly the 
same 
techniques used to play a Mozart Horn  Concerto or practice scales. You need 
to listen to what is coming out of the  bell, and if its not in tune 
compensate!  I don't really see how tuning  one side of the horn  or adding 
extra 
valves will help. In fact these  methods will probably just get in the way 
and delude the insecure player into  thinking he/she has "hit" the right note 
just because there is a quarter tone  "button" to press!

As to a book of  "Etudes"  or Manuals,  well if folks find it interesting 
and already plays so well they are  constantly being booked by the  "fixer" 
then great.   Good luck  to them.  However, the few times I need to play them 
I just use my ears  if I think it matters and use my imagination if it 
doesn't!  

Francis




On 27 Dec 2010, at 23:34, Steve Haflich  wrote:

> [email protected] wrote:
> 
>   I had  thought of this before though. With quarter tones, wouldn't it 
be   
>   easier to set one side of the horn in pitch down slightly  (say the F 
side) and 
>    then use the Bb side primarily?  Then you switch to the F side for 
quarter 
>   tones  and  you're done.
> 
> Lowering the F horn a quarter step requires  adding a little less than
> 4.5 inches of tubing.  I suppose many  horns have 2.25 inches of extra F
> tuning slide, at least until you  need play on a very hot day and that
> extra tuning slack is necessary  just to get the horn down to pitch.
> 
> It's an interesting  approach, though, and probably a lot easier to think
> about than  remembering less familiar valve combinations.
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