Wendell, have you found the use of hand in bell for centering upper register
notes more important with certain horn types?  I saw a master class taught
by Gail Williams.  The student playing an 8D and was struggling with the
upper register.  When Gail had her  "use more hand" in the bell the upper
notes popped right out.  The difference was so dramatic, it looked almost
"staged"  but I doubt it was.  I haven't personally found such a dramatic
difference in hand use for centering the upper register of the horns I've
played (Yamaha 667, Holton 179, Holton Merker with medium, and Holton Merker
with large bell throat).

What say you?

Valerie  Wells
----------------
Hi Bob,
I realize all the focus on this topic has been about intonation
adjustments, but what about her upper register? I'm talking about from
the top of the staff up. Maybe she is too young to be there yet, but
the hand plays a huge part in focussing and stabilizing the notes
above the staff. No valve horn is designed to play these notes well
without the hand in the bell. I don't know how many hornists i have
taught or watched who play with their hand too far out of the bell to
really stabilize these notes, and many of them struggle because of it.
Others are just moving the hand all over the place when they should
find a good position and leave it there. There are several issues
involved with hand position, not just intonation adjustments.
I'm sure you will help her find solutions to this. For a demonstration
of the effects of hand position on the upper register, one can look on
the early part of the first DVD in my 2 DVD set about playing the horn
using my book. A stable, effective hand position is one of the keys to
playing the horn well. Many , many people are not that up on this
subject.
Sincerely,
Wendell

-- 
Valerie Wells
The Balanced Embouchure Method
http://bebabe.wordpress.com/
http://www.beforhorn.blogspot.com/
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