I'm surprised myself at her intonation generally. I wonder if she'll have
more issues with that when she does get a double horn. Right now she plays a
single F. 

With my college students, I try to make sure they learn to tune their horns
to get a good intonation match between the F and B-flat sides. But I must
say I have had a few students who can go very sharp on the B-flat side
because that match goes awry.

Bob Dickow
Lionel Hampton School of Music
University of Idaho

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf
Of valerie wells
Sent: Friday, January 21, 2011 10:41 AM
To: horn list 2 memphis
Subject: Re: [Hornlist] Right Arm

It is surprizing to hear that your student lacking a right hand is playing
in tune.  I often find the Bb side in my students' horns (and fellow
amatuers's horns) playing quite sharp in contrast to the F side.  Sometimes,
I've found that they've pulled the F slide out erroneously thinking it's the
main tuning slide, pushing the F slide back in sometimes corrects the
problem.  But sometimes the only way to achieve equal intonation between the
two sides of a double is to have the them move their right hand further into
the bell which lowers the pitch on the Bb side more dramatically than the F
side.  I think some of this may depend on the make of the horn.

Is this girl playing a double?  What is the make?
-- 
Valerie Wells
The Balanced Embouchure Method
http://bebabe.wordpress.com/
http://www.beforhorn.blogspot.com/
>I must say that even I am surprised at how well she plays in tune. I might
suggest that she has adapted to the intonation demands through other means
than using the hand, learning in her own way from the very first day she
blew the instrument. She does have a good ear... but if only she would
practice consistently!

Bob Dickow
Lionel Hampton School of Music<
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