Hi Lawrence, 

No harm done or taken! You're right though: he is a good player, and a nice 
guy, so it's a diplomatic minefield.

What he does in the other movements isn't quite as bothersome-- [well, o.k., 
the "donkey call" IS bloody annoying] it's the conducting in the Nocturne I 
find particularly distracting.

I like the "easier with one conductor" idea; I'll try that at tomorrow's 
rehearsal.

Sincerely,
martin





On 2011-04-02, at 10:49 AM, Lawrence Yates wrote:

> Hi Martin,
> 
> I know it doesn't come across in emails, but I was actually joking - I know
> how hard, and how sad it is, to have problems like this, especially if the
> chap in question is a good player and nice chap with it.
> 
> I'm sure that often these people don't know the effect their "dancing" is
> having on other players and sometimes simply need to told.
> 
> Patronising bit:
> I would do it by joking first, making the odd daft comment here and there to
> draw his attention to the fact that it's been noticed, then, if that didn't
> work, very quietly and privately ask if, for that one piece where I had a
> solo, he could try not to upset me. Then go back to a joke about how much
> easer it was with only one conductor maybe?
> 
> I'm sure you've tried all this and I'm just sounding patronising - sorry. I
> don't know the setup, but I sympathise.
> 
> If nothing works, you could always try something less subtle - take a
> washing line to the rehearsal and tie him to his chair - maybe that'll make
> the point.
> 
> Cheers,
> 
> Lawrence
> 
> 
> -- 
> Lawrenceyates.co.uk
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whoever has it will finally prevail." Winston Churchill




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