Michael -- you're the Man! That fixed that problem -- now I can deal with the
cotton / rosen thing in an effective way.
Thanks everyone for the help!
Doug
___________________________
Dr. Douglas Harvey
Assistant Professor of History
Fort Hays State University
www.RowanCelticMusic.com
www.DougHarvey.org
"Do not pray for easy lives. Pray to be stronger men.
Do not pray for tasks equal to your powers.
Pray for powers equal to your tasks."
John F. Kennedy
----- Original Message -----
From: Michael Opp
To: [email protected]
Sent: Sunday, March 01, 2009 10:20 AM
Subject: [HG-new] Re: Tone problems
You losen the allen skrew on the side, and then you have to move the string
off the bridge, and you can pull that little black thing (I'm assuming its
black) and that will come out, and then you stick your wrench down in that hole
and turn that guy down there appropriately to move it up and down. You'll
probably have to play with it for a while, (it took me almost 3 hours before i
got anything pretty out of it my first time) But you'll figure it out. Good
luck!
Also fairly isolated here in ND. You ought to go to Over the Water. its a lot
of fun!
-Michael
On Sun, Mar 1, 2009 at 8:33 AM, Doug Harvey <[email protected]> wrote:
Thanks for your responses -- it's easy to feel isolated with a HG in
Kansas. :>)
I have a Chinook -- it's a great instrument when everything is working, but
it's probably a bit of climate shock from the Pacific NW to Kansas -- and I
spend half my time in western Kansas which is dryer still. I'mplanning to get
a humidifier for it soon.
I've fiddled with the bridge/nut adjustment on the Chinook, but I don't
want to screw something up so I've been pretty timid. How does the adjustment
work? Is it the Allen screw on the end of the bridge or do you actually turn
the piece that serves as a saddle?
Thanks again,
Doug
Dr. Douglas Harvey
Assistant Professor of History
Fort Hays State University
www.RowanCelticMusic.com
www.DougHarvey.org
"Do not pray for easy lives. Pray to be stronger men.
Do not pray for tasks equal to your powers.
Pray for powers equal to your tasks."
John F. Kennedy
----- Original Message -----
From: Michael Opp
To: [email protected]
Sent: Sunday, March 01, 2009 8:08 AM
Subject: [HG-new] Re: Tone problems
If it is from Alden and Cali, they have these strange little things on
the bridge, that you can adjust instead of shimming. They're strange to use,
granted this is my first gurdy and i havent shimmed with paper before, but it
is still a little strange.. My insturment went through alot when i moved it
from the west coast to ND so I had to fiddle with it a lot.
What kind of gurdy is it? I got an Orca from them. the thing has changed
my life.
On Sun, Mar 1, 2009 at 12:18 AM, Oscar Van Loveren 000724 recon
<[email protected]> wrote:
Shim....the answer is a shim. Little pieces of paper, you
can experiment with varying weights, to raise the string
off the bridge. The way it was explained to me is that for
strength reasons, the grain of the bridge runs in such a
way that is also expands and contracts with moisture/temp
changes..... so, shim when necessary.
Oscar.
>
> Maybe to much cotton...
> Put new cotton on it...
> Marc
> ----- Original Message -----
> From: "Doug Harvey" <[email protected]>
> To: <[email protected]>
> Sent: Sunday, March 01, 2009 1:25 AM
> Subject: [HG-new] Re: Tone problems
>
>
> >
> > Greetings,
> >
> > I'm the proud owner of a new Hurdy Gurdy made by Alden
> and Cali at Olympic
> > Musical Instruments. I am a folk musician new to the
> Hurdy Gurdy, but I'm
> > not new to stringed instruments.
> >
> > My experience of the last couple of weeks is mainly
> positive, but a couple
> > of problems have arisen.
> >
> > My problem is this: the high chanterelle never totally
> leaves the surface
> > of
> > the wheel when I put it on its little stand, whatever
> that's called,
> > creating a cacophonous overtone sound. But more
> annoying still is that
> > when
> > it is contacting the wheel, most of the time it sounds
> horrible. I've
> > been
> > experimenting with rosin and cotton and have had some
> luck with that, but
> > this "grinding" sound keeps coming back. I'm thinking
> there is a
> > relationship between the string's position and the evil
> sound that
> > persists.
> > The chanterelle, if played by itself when it's doing
> this, makes no sound
> > that could be called musical. The tangents have little
> effect. Thoughts?
> >
> > Many thanks in advance,
> > Doug Harvey
> > Lawrence, KS, USA
> >
> > -----------------------------------------
> > Douglas Harvey, Ph.D.
> > Assistant Professor of History
> > Fort Hays State University
> > www.RowanCelticMusic.com
> > www.DougHarvey.org
> > "If I could lead you into the Promised Land,
> > I would not do it, because someone else
> > would come along and lead you out."
> > Eugene
> Debs
> >
> >
> > >
> >
> >
> >
> > --
> > Internal Virus Database is out-of-date.
> > Checked by AVG.
> > Version: 7.5.557 / Virus Database: 270.11.4/1976 -
> Release Date: 27-2-2009
> > 13:27
> >
> >
>
>
> >
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No virus found in this incoming message.
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2/27/2009 1:27 PM
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Checked by AVG.
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7:04 AM
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