> …how thousands of players are supporting themselves and their  
> families with their music…

Let's not get too optimistic here. How many players actually support  
themselves and the families with their music? There may be a lot of  
players, but for most of us it's a hobby that occasionally pays some  
dividends. But I would guess that the number of ones who actually  
support themselves and their families exclusively from playing HG can  
be counted on your fingers (or maybe your fingers and your toes). The  
number of semi-professionals who make decent supplementary income  
probably doesn't break 100. Most of the rest of us won't ever make  
enough to pay back our investment in the instrument, but that's not  
why we do it in the first place.

I'd like to be proven wrong, but I'd lay money on it that there are  
not "thousands of players" making a career out of it.

So, while I'll agree about close-minded professors, etc., even as a  
pretty serious enthusiast* I'd be hard pressed to recommend  
"professional hurdy-gurdy player" as a career option to a young  
musician unless said young musician fully realized that there are  
vanishingly few regular jobs for HG and that the only reason to do it  
is for love -- because the money is certainly not a reason to choose  
it as a career.

*I'm working on a doctoral degree about the revival of HGs in Hungary  
at the IU Department of Folklore and Ethnomusicology, so I think I can  
safely call myself serious.

-Arle



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