This discussion reminds me (being very old) of something similar when Bob Dylan 
played electric guitar in the second half :-)
Whilst understanding things (I do remember the upset when one guy had the 
audacity to turn up at a traditional folk club with, of all things, a GUITAR!).
Of course it does depend on what one is trying to portray.
Just because an instrument has been around a while, doesn't mean it has to be 
played in a certain way nor, I may add, in a certain context.
Being in the UK where we have the origins that the ren fairs attempt to 
emulate, there still are plenty of spoofs (and I am quite sure the buxom 
barmaids at the ren fairs don't all have rotten teeth to get the authentic look 
either nor many have their teeth blacked out either - although maybe some do).
Sometimes we really do have to put our instincts down a peg or two and accept 
things for what they are. FUN.
Quite different to an academic stance and should be seen as that.
Being critical of performer's  skill is OK (within reason) but genre and style 
maybe less so.
I'm afraid, where music is concerned, I'm very open-minded and pretty well 
anything goes.
I don't bother listening or watching stuff I don't like but I do uphold the 
right for others to do what they want.
We should be laid back over this lest others think that we belong to that group 
that says (in funny voice) "Oh, that <insert object here> wasn't invented until 
ten days after this is supposed to be set". I am, I'm afraid, very guilty of 
this with swashbuckling tales set in the 1700's when watching a sailor play the 
concertina - and a late 19thC one to boot!
Does it matter in a film? No. Would it matter in a history lesson - Yes.
I think the main point for complaint would be if it was stated as an authentic 
reproduction or not (I doubt it was).
If it wasn't then the "feel" of the evening is what counts, not the 
authenticity - to me, at any rate.

Colin Hill
  ----- Original Message ----- 
  From: Bruno Fournier 
  To: [email protected] 
  Sent: Friday, December 11, 2009 3:05 AM
  Subject: Re: [HG-new] Hurdy-gurdy video


  Sorry but if you post a video and then send an email to the list to view it, 
why should you expect everyone to like it?  I initially said that I thought the 
performance to be poor and pathetic.  I have a right to my opinion, just like 
the people who wrote back to the list in praise of that performance.  Of course 
taste is  subjective, I like Dijon mustard, some people don't like Dijon 
mustard...

  If one cannot criticize a video posted on the list, then I shall abstain.

  Bruno 
   

  On Wed, Dec 9, 2009 at 9:14 PM, Sergio F. Ribnikov 
<[email protected]> wrote:

    Bighatlady,


    Even though the hurdy gurdy cannot really be heard, I enjoyed the video!

    Bruno, it would be interesting to listen to your music. You are surely 
quite gifted. 30 years of playing, wow! A shame your site does not work. Now 
I`d sincerely suggest you to spend at least one year of your remaining many 
years in learning a bit of modesty and humility... and how to write a 
worth-reading comment .

    Moreover, if you feel tired of what other people enjoy, I suggest you to 
rest, sleep or hibernate from the scene (but please don“t babble or snore in 
the mailing list).




    Guys, keep up showing us what you do!!!






    2009/12/9 <[email protected]> 


      Ditto, Bruno, as to 30 years in the biz and all that you say about 
"medieval feast, banquet scene, medieval wedding scene" -- plus renfests -- and 
playing multiple instruments (viola da gamba, h-g, vielle, crummhorns, 
recorders, harps, cornamuse, and rumble pot) -- yes, it's a tough gig, but I'm 
still having fun at it, and sometimes I hit a bad note, and maybe I'm not 100% 
authentic all the time. But I have seen three or four groups along the way that 
were so authentic that they put me to sleep around verse 23. By the way, tried 
to see your website, but it seems to be down at the moment. 
      Cheers,
      Alice
      www.hobgoblinhill.com  

      In a message dated 12/9/2009 6:54:46 P.M. Central Standard Time, 
[email protected] writes:
        Maybe a bit harsh, but as a musician specializing in early music for 
the past 30 years, and the last 10 in medieval music, I find it pathetic that 
we are still finding groups ridiculing this music and making buffoons out of 
themselves.  Incidentally I do not pretend to play shawm or bombard well, but I 
play it better than this guy.  And yes it does take a lot of breath, but if you 
can't hack it, don't play it. The problem with all those medieval feasts, is 
that the public doesn't care about the music , the context or even if its 
remotely authentic.....they just want to have background noise and have a good 
laugh.  

        I've done the medieval feast, banquet scene, medieval wedding scene, 
etc,   and I'm tired of it.  

        Bruno
        www.estavel.org


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