I would suggest that this might happen if you use a lot of cotton (or
perhaps, more than the maker assumed when he built the keybox).  The extra
weight of the cotton will flatten the pitch of the high notes more than the
low ones because the vibrating string itself is shorter  - and therefore
lighter - for the high notes, and so the extra mass of the cotton is greater
in proportion.  The tangents will need to compensate, i.e. the further up
the string you go, the more more they will need to be twisted towards the
wheel.

Paul

On Tue, Apr 6, 2010 at 9:25 PM, Martin Lodahl <[email protected]> wrote:

> ... but for the life of me, I can't recall its significance.  I found the
> cotton configuration that made the d" chanterelle stable enough to tune the
> movable bridge, and could then put the whole keyboard in tune.  I saw a
> pattern develop, though, that I know I've seen before:  The octave tangent
> strikes the string at a 90-degree angle, and all the others seem to be
> leaning away from it.  That is to say, the tangents for the higher notes
> incline toward the wheel, and those for the lower notes, toward the pegbox,
> as if the keys were placed too closely together.  What does this mean?
>
>   - Marty
>
> --
> Martin Lodahl of Auburn, California
> UNIX Pro, Musician, Motorcyclist
>
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