A simple demonstration of sympathetic vibration may be made with a piano.
Hold down the key above middle c while giving middle c a short thump. You
will then hear many notes of the harmonic series, including the 2nd and 3rd
c octaves and at least one fifth. The number of harmonics you will then hear
will depend on how well the piano is tuned, its stringing and how attentive
you are! As you strive to hear more harmonics your ear will become more
sensitive. If you hold down the sustaining pedal you may be able to
distinguish even more sounds. 
   Each drone string produces its own harmonic series, one with C as the
fundamental while the other has G (or D and G), with each series being more
or less dissonant or consonant with that of the other, which is why the
drones give such a rich sound. In addition, the harmonic series of each note
of the melody string is more or less dissonant or consonant with the drones.
This is one reason why our apparently simple instrument is so rich and
magical.  To make the most of this effect the whole instrument must be tuned
as accurately as possible, avoiding equal temperament, which will spoil the
effect. The maximum beauty of sound is best heard in slow melodies when
minor tunes can become quite haunting. MP
 
 
 
  _____  

From: [email protected] [mailto:[email protected]] 
Sent: 10 February 2012 08:14
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Subject: [HG-new] Digest for [email protected] - 1 Message in 1
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*                                Tuning sympathetics [1 Update]
  <http://groups.google.com/group/hurdygurdy/t/d83b3521a7900cdb> Tuning
sympathetics
Norman Sohl <[email protected]> Feb 09 04:24PM -0800  

Hard to answer that without going into the details of string acoustics,
however there is plenty on the web (and some good books) that cover the
subject. Here is my humble simplification-
 
. Any even, well made string will vibrate at several frequencies at
one time when excited. This is why different material strings sound
differently when tuned to the same note - the strings are producing roughly
the same set of frequencies but in different amounts which makes them have
different timbre. 
 
. This set of frequencies is usually a "harmonic series" based on
the fundamental vibration of the string (see
http://en.wikipedia.org/wiki/Harmonic_series_(music)). The harmonic series
of a sympathetic string tuned to c includes the notes c, c' (octave of c),
g', c'', e'' g'', etc. 
 
. This means that a sympathetic string tuned to c can sound when
excited by a tone at any of those frequencies.
 
. The power of a harmonic usually drops off as the frequency goes
up, so you may not be able to hear some of the higher harmonics.
 
. Thinner strings resonate at higher harmonics more easily than
thick strings.
 

 
To answer your question, this means that two strings tuned an octave apart
will resonate at slightly different notes.
 
I imagine that the tuning of other harmonics is chosen in order to fill in
the set of other possible resonances. Because of this you don't need a
string for every note, assuming that you have selected your sympathetic
tuning to match your instruments key.
 
-Hope that helps more than it confuses!
 
--Norm
 

 

 
From: [email protected] [mailto:[email protected]] On
Behalf Of Augusto de Ornellas Abreu
Sent: Wednesday, February 08, 2012 6:38 PM
To: [email protected]
Subject: Re: [HG-new] Tuning sympathetics
 

 
What is the point of having sympathetic strings tuned to a same note, but on
different octaves? Won't they vibrate sympathetically the same way?? Isn't
this how they are supposed to work, why tuning them to different octaves?
 
On Thu, Feb 9, 2012 at 12:27 AM, Rob <[email protected]> wrote:
 
Hi!
 
This is from Mel Dorries (sent to me off list): "We do rather like
sympathetic strings around here for the fullness of tone and overtone they
introduce to an instrument. We set ours up on the Maestro to accent the
most common notes like g, d, c, a, b flat, e flat with a sat least 2 -3
strings for g, d, and c in different octives. Much is personal preferance
and accomodation to the key one wants to play in primarily."
 
 
 
 
 
PEACE!
 
Rob Cherwink
 
mail: [email protected]
home: http://robertcherwink.com
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twitter: http://twitter.com/r_cherwink
 
On Feb 8, 2012, at 4:24 PM, Felicia Dale wrote:
 
Thank you all for your very helpful suggestions! I really appreciate all the
input and I look forward to try tuning my sympathetics this evening.
 
Felicia.
 
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