If the ask at Prague Museum you may be shown several instruments with
springs and other devices. I thought at the time (1971) that these additions
were superfluous. MP
 
  _____  

From: [email protected] [mailto:[email protected]] 
Sent: 18 February 2012 08:12
To: Digest Recipients
Subject: [HG-new] Digest for [email protected] - 1 Message in 1
Topic
 
   Today's Topic Summary
Group:  <http://groups.google.com/group/hurdygurdy/topics>
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*                                Golden Wood hurdy gurdy album link [1
Update]
  <http://groups.google.com/group/hurdygurdy/t/da69797d9e1d70c8> Golden Wood
hurdy gurdy album link
Melvin Dorries <[email protected]> Feb 17 08:20AM -0800  

Hi Dave,
 
Really sweet piece of work!
 
The jointery is superb the bowl looks great (Australian Lacewood?)
interesting spring mechanism and round ends on the keys even ball bearings
too.  
For a first attempt at design and execution this is just outstanding.
 
There are some things I see that you may want to consider doing differently
next time but then again if it does what you want ... so be it.
 
1. I suggest that you install ball bearings on the shaft ends only and do
not use one under the bridge area in favor of a clearance hole for the shaft
to pass through. This allows that especially important area around the
bridge and bridge brace to vibrate more freely and thus increases response,
tone quality and volume.
 
2. I don't know what you used to couple the top braces to the lower but when
I build I look for the coupling to be light strong flexable and a good
conductor of sound.  
Much like a violin or cello I choose a spruce dowell or sometimes a spruce
stick with small rectangle section turned the opposite of what yours is,
again to facilitate the bridge braces' movement. Some builders do not even
glue in this sound post in favor of inhanced movement.
 
3. It looks like the lower row of keys is a long distance from the top row.
We shoot for no more than 1/8" between the top row and the bottom. This
greatly shortens the tangent length and helps eliminate keyflex and lifting
torque that can cause excess key slap on the belly side of the keychest when
a key is pressed in. But then again your spring system may reduce this to a
negligable amount.
 
Enough for now. I fear that to many suggestions tend toward the negative and
this is a time for rejoicing. You did it!
 
How does it sound?
 
All the best 
Mel  
 
    
 
 
________________________________
From: Arle Lommel <[email protected]>
To: [email protected] 
Sent: Friday, February 17, 2012 2:59 AM
Subject: Re: [HG-new] Golden Wood hurdy gurdy album link
 
I note that you're using coil return springs. I'm curious why you decided to
do that rather than using a gravity return? Relatively few makers use
springs. Not saying not to do, but curious more about your rationale.
 
-Arle
 
On Feb 16, 2012, at 20:52 , California Dave wrote:
 
 
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