Hey guys,
I just wanted to thank you for the advice.  We put mics at both positions, 
front and back, and got a great recording!

Thanks again,
Belinda

> On Mar 3, 2014, at 1:26 AM, [email protected] wrote:
> 
>   Today's Topic Summary
> Group: http://groups.google.com/group/hurdygurdy/topics
> 
> Recording [1 Update]
> Abridged summary of [email protected] - 1 Message in 1 Topic [1 
> Update]
>  Recording
> Alden Hackmann <[email protected]> Mar 02 08:18PM -0800  
> 
> Hi, Belinda,
>  
> Hurdy-gurdies are a bit tricky to mic - but you knew that. ;-)
>  
> There are a couple of microphones and mic combinations that I like for HG.
> With both of these, farther out is better: three or four feet out, at
> about four feet or five feet up, with absorbent screens behind the player
> and behind the mic - you want some liveliness from the space, but not too
> much.
>  
> My very favorite mics for hurdy-gurdy are a pair of Royer R-122's, set up
> as a Blumlein pair. This is an old stereo micing technique, developed by
> Alan Blumlein. These are ribbon microphones, which give a very clean,
> crisp and rich sound.
>  
> Another option is a large diaphragm condenser mic, such as an AKG 414, a
> Neumann TLM103, or a Rode NT2. With whatever mic it is, set it to cardioid
> pattern if it's switchable. Position as described above, in front and to
> the tail end of the player. If you are the player, the mic should be at
> about 1:00 o'clock to your position.
>  
> Hope this helps,
>  
> Alden
>  
>  
>  
> 
>  Abridged summary of [email protected] - 1 Message in 1 Topic
> Neil Brook <[email protected]> Mar 02 10:45AM  
> 
> The best way I found is to use a studio condenser mike sited behind your head 
> . That will give you the sound that you hear when playing. It is a totally 
> different sound than that which is heard from the front but presumably is the 
> sound you are looking for. 
> Cheers
> Neil
>  
>  
> 
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