That's what the book I'm reading said too. Maybe I should be writing down notes as I go along.... It is quite a detailed book. Anybody have any ideas on what I can keep my notes in? That way they are all in the same place...
-----Original Message----- From: [email protected] [mailto:[email protected]] On Behalf Of Chris Belle Sent: Saturday, July 10, 2010 1:01 AM To: JSonar -- JAWS Scripts for Sonar list Subject: Re: [Jsonar] How to tell what frequency range on a band audio is in. No Andy, it's called ability, training and talent 'grin'. Just like people can see colors and differences, ;your ear can hear different frequencies, or some folks can. If you have any ability there, you can train ;your ears by practice to hear them. Working with a parametric and or graphic eq, you can find offending frequencies and taylor them to fit better, or enhance others to be more prominent, etc. This is what an engineer does, and your exactly right, making instruments and vocals sit in a mix with proper eq is one of the very fundamentals of getting a great sound. I'll give you a hint. Equalizers work better on cut than boost, that is they are better at pulling out too much of a bad frequency than they are at boosting not enough of frequencies you want. so when you are first using an eq, you should do as much as you can to eliminate the bad stuff. Try first with a simple tool like a 10 band graphic, rather than a parametric, parametrics can be tricky, and are more advanced, but take a broad band signal like a full mix or even just a vocal and pull down different bands, and see what effect it has on them. here are more hints, and we'll ;use a vocal for an example because it's one of the most troublesome things to eq right. Most anything below 100 hertz on a vocal won't be heard, maybe some subtle harmonic re-enforcement but that's all, and probably a lot of noise down there, depending on your gear and room. From 100 to 350 are your low mids, the warmth in your vocal, but can also be where the mud is, so cutting this down can make your vocal stand out more, from 500 to 2k is the mid band, that's your telephone effect, but also some of your mid band clarity, and needs special attention. From 3k to 6 k is your vocal definition and clarity, but can also make it harsh, and also have some sibalance s sounds, especially around the 6k range, so using a d s compressor can help a lot, I like a bright vocal to stand out in a mix, but then when i get it bright enough, i get too much sibalance, so the d s procesing fixes it. An;ything above 8k is what we call air, or high shimmer, and can make a vocal sound bigger and more full, open, but can also add hiss, and also in the lower range of the 8 to 10k is also where some s sibalance lives too, so care must be taken. A basic 10 band graphic eq will give you a basic handle on these frequencies and what they do, then ;you can get in to the wonder full world of parametric eq and deal with q or width, shelves, peak dip or band pass, and high pass and low pass and all those goodies, you really get to do microscopic surgery then 'grin'. I of course am available for low priced friendly tutoring any time, I'm jus the guy for good value for not so deep pockets, and nothing beats years of experience and lots of great mixes under the belt. At 03:59 PM 7/9/2010, you wrote: >Hi. > >I am reading a book that mentions that different types of audio, >mainly musical instruments and vocals sit in a particular frequency >range on an eq band. My question is: How do you tell what the actual >frequency range of an audio clip is in? I.E. I drop an audio >clip/track into Sonar (8.5.3). Now, before I change the frequency >ranges on it, how can I tell what its actual range happens to be? Or >is this just some guesswork? > >_______________________________________________ >Find JSonar and Sonar FAQs, articles, guides and downloads at >jsonar.org. > >Jsonar mailing list >[email protected] http://jsonar.org/mailman/listinfo/jsonar_jsonar.org WARNING!!! This email could contain innocent phrases which, if taken out of context, or read from an existing inclination to be hostile, or an overly politically correct world view could induce cursing, abusive language, or other indications of less than desirable behavior in a public venue. No ill will is intended. The sender takes no responsibility for mis-interpretation or otherwise extrapolated extended meaning, intent, or purposes implied or imagined from said phrases. The receiver of any such email containing such phrases is solely responsible for good interpretation and intelligent deployment of subsequent responses to the above communication. _______________________________________________ Find JSonar and Sonar FAQs, articles, guides and downloads at jsonar.org. Jsonar mailing list [email protected] http://jsonar.org/mailman/listinfo/jsonar_jsonar.org _______________________________________________ Find JSonar and Sonar FAQs, articles, guides and downloads at jsonar.org. Jsonar mailing list [email protected] http://jsonar.org/mailman/listinfo/jsonar_jsonar.org
