Hi Marc,
On Tue, Nov 23, 2010 at 11:28 PM, Marc Hohl <m...@hohlart.de> wrote:
>
>> Just for clarification: as the guitar is notated one octave above its
> sounding pitch,
> I use the following template:
>
> \score {
> \new StaffGroup <<
> \new Staff {
> \new Voice { \global \clef "treble_8"
> \override Voice.StringNumber #'transparent = ##t
> \music }
> }
> \new TabStaff {
> \new TabVoice { \global \clef "moderntab" \music }
> }
> >>
> }
>
> The octavated treble clef just does the right thing, and with the override,
> you
> remove the unneccesary string numbers.
Thanks; I'll try it. How do I turn off the little "8" symbol by the clef?
>
>> In this example, the low A is placed on the 5th fret, 6th string.
>> The minimum fret is the default (zero), but the tab calculator
>> does not choose the open-A string, even though it would be
>> far more convenient to play it that way. If you annotate it with
>> fingerings:
>>
>> <a'-0 e'-1 a-1 cs-1 a'-4>1
>>
>> it becomes doubly clear to the guitarist that the open-A string is
>> intended here, both because of the -0 fingering notation and
>> because it is the only physically reasonable configuration.
>>
> I see your point, but I have no idea whether a suitable algorithm
> can be found to cope all possible fingerings.
>
>
Oh, I didn't mean to suggest that there is such an algorithm, although
it seems like it would make a cool research project. I was just using
this example to illustrate the need for the tab-understands-(-0) workaround.
>
>> There are actually _two_ signals here that the tab calculator
>> should be picking up but is not. They are separate issues.
>> One is that even though the TabStaff.minimumFret is zero, the
>> calculator is not actually using the minimum fret.
>>
> IIUC, the calculator tries to put all fret positions within a four fret
> interval,
> so <d\5 g> would show up as
> e---
> b---
> g---
> D-5-
> A-5-
> E---
>
>
That makes sense. It's a really good heuristic, actually -- I've been
rather amazed at how often simply setting the minimum fret results in
generating optimal fingerings for a passage, even for relatively complex
music.
Regards,
-steve
> Regards,
>
> Marc
>
>
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