Hi Jan-Peter,
> I think the most complicated part is addressing multiple voices in one Staff.
[…]
> propably there are more things to modify to make it more intuitive.
I think the stated problem would be solved *AND* the whole machinery made more
intuitive by allowing a context to be “direct addressed”, i.e., the context
\new Staff = “MyStaff” \someMusic
would be mod-ed using something like
\editionMod ThisEdition 1 0/4 APiece.MyStaff \override …
as opposed to
\editionMod ThisEdition 1 0/4 APiece.Staff.B \override …
It seems like a very small change — and might mess up your “templating”
system(s) — but three obvious and immediate benefits are: the ability to move
contexts within the score block without having to recode the edition; the
ability to change the type of context without recoding the edition; and the
ability to quickly cross-reference a mod with its context (i.e., no need to
“count” contexts).
Consider it?
Thanks,
Kieren.
_______________________
Kieren MacMillan, composer
www: <http://www.kierenmacmillan.info>
email: [email protected]
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