>Another thing which has been pointed out on this list, is that you could >simplify difficult passages/chords by ommitting inner voices. Were many of >those full Renaissance chords ment to be simplified? Did Galilei, Newsidler >et. al. put all the voices in there to give the player the option of chosing >which notes he or she wanted to use?
I don't think so. But I have to say that those difficult chords are much easier to play on a smaller string length. It sure makes me wonder. -- Ed Durbrow Saitama, Japan http://www9.plala.or.jp/edurbrow/
