> Support also comes ... from paintings It seems that much of the evidence about early lutes comes from paintings, which are about as flammable and fragile as lutes. Have we, in general, lost the lutes, but kept the paintings? If so, why?
- Re: Why paintings but no lutes? Herbert Ward
- Re: Why paintings but no lutes? Eugene Braig
- Re: Why paintings but no lutes? Vance Wood
- Re: Why paintings but no lutes? Roman Turovsky
- Re: Why paintings but no lutes? Vance Wood
- Re: Why paintings but no lutes? Roman Turovsky
- Re: Why paintings but no lutes? Herbert Ward
- Re: Why paintings but no lutes? Eugene Braig
- Re: Why paintings but no lutes? Doctor Oakroot
- Re: Why paintings but no lutes? Herbert Ward
- Re: Why paintings but no lutes? Daniel F Heiman
