I presume you're both aware of Molitor's report in the early 1800s that he met 
a Mandora player (precursor of the German 'lute guitar'?) who told him he had 
changed to single strings like the contemporary guitar since it was 
easier............
 
Martyh Hodgson

Kenneth Sparr <[EMAIL PROTECTED]> wrote:
Dear Joachim,

I'm sure there a lot of things concerning the history of the lute and the
guitar in the early 20th century that are still uncovered. Your article
indeed was a substantial contribution to our knowledge and I thank you for
that. As Scholander made such a great success in Germany I find difficult to
believe that he didn't exercise a considerable influence even if he didn't
had contact with the Scherrer-circle (or the other way round?).

Concerning the single-string lute question the Swedish lute (or Sittra as it
was also called) already got its single strings as early as the end of the
18th century, but it developed from the cittern. Certainly there is more
research needed also concerning the development of the Swedish lute.

I searched Bacher's Lautenfibel for many years and finally found it via
ZVAB, the excellent German search engine for antiquarian books. It may have
some Internet when we describe the "renaissance" of lute playing from
tablature.

Best wishes

Kenneth Sparr
Stromstigen 25
S-149 51 Nynashamn
SWEDEN

Telephone: +46-852015561
www.tabulatura.com
e-mail: [EMAIL PROTECTED]
-----Ursprungligt meddelande-----
Från: Joachim Lüdtke [mailto:[EMAIL PROTECTED] 
Skickat: den 9 oktober 2005 20:07
Till: Kenneth Sparr; lute-list (Renaissance)
Ämne: Re: [LUTE] The German lute movement and the guitar-lute

Dear Kenneth,

thank you for your mail - I didn't know that my article would be of interest
to anyone outside Germany although I know that the guitar lute and its
relatives were not confined to the German spoken countries.

I have not mentioned Scholander because I am unsure about the extent to
which he influenced the singers of "lute songs" and the lute players in the
Germany of his time and because he seems to have had no contact to the
Scherrer-circle. In changing the Swedish lute into a single string
instrument he may be seen as following a process which started in the early
nineteenth century.

Where did you find Bacher`s Fibel? Thank you for drawing our attention to
it. I will try to find a copy.




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