On Oct 13, 2006, at 10:00 AM, bill kilpatrick wrote:

> ...my own take on re-entrant tuning is:
> ...you can pursue the high reaches of
> the melody without climbing up the neck

I don't follow you.  Doesn't it work the other way?  The highest  
pitched string in re-entrant tuning would be either the second or the  
third string.  If you wanted to get above that pitch, into the higher  
reaches, you would have to move up the neck to do so.

David R
[EMAIL PROTECTED]
www.rastallmusic.com




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