Telemann uses sequential development all the time http://www.vimeo.com/706605
French music uses sequential development as well, though it is used differently than Vivaldi. dt At 01:20 PM 6/19/2008, you wrote: >Telemann's eschewing of sequential development was alone sufficient >for him to claim to be an adherent of the French style. >Needless to say- aside from this there was nothing French in >Telemann's thoroughly Germanic musical character. But this would >indicate how much of a determinant that aspect was to an 18th >century set of ears. >RT >----- Original Message ----- From: "Roman Turovsky" <[EMAIL PROTECTED]> >To: <[email protected]>; "David Rastall" <[EMAIL PROTECTED]> >Sent: Thursday, June 19, 2008 3:44 PM >Subject: Re: [LUTE] French Style > > >>I would say- mainly the absense of sequential development. >>RT >> >>From: "David Rastall" <[EMAIL PROTECTED]> >>>I'm wondering: what is it that makes up the "French style" >>>of Baroque music? I don't mean particularly stile brise, notes >>>inegall etc. Those are obvious, and to me insufficient >>>explanations to convey the French Baroque. It seems to me >>>there's more to it than that. David Rastall > > > > >To get on or off this list see list information at >http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
