Preferring my lute-alikes at ca. 33 cm without diapason, I certainly am
daft.

Daftly,
Eugene

> -----Original Message-----
> From: William Brohinsky [mailto:[email protected]]
> Sent: Tuesday, February 17, 2009 10:33 AM
> To: [email protected]
> Cc: lutelist Net; howard posner
> Subject: [LUTE] Re: Theorbo by Nic. Nic. B. van der Waals for sale
> 
> On Tue, Feb 17, 2009 at 3:37 AM, Martyn Hodgson
> <[email protected]> wrote:
> > However, for mysterious reasons, some modern players string small
> >   theorboes with low octaves on the second course even when wholly
> >   unnecessary at the pitch in which they play.
> >
> >   If we have any pretensions to 'Historically Informed Performance' it
> is
> >   clearly daft to ignore historic precedent and practice.
> >
> 
> OK, guilty as charged, but.
> 
> Is it somehow illegal to play music for long theorbos on short
> theorbos? If you wish to play the music of Kapsberger or Piccininni,
> but cannot afford to buy (or cannot manage to borrow) a theorbo longer
> than some criteria (which hasn't really been stated, but is obviously
> longer than the 92mm/67mm instrument I played last semester), you are
> daft. Either you don't tune double-reentrant (thus satisfying Martyn
> and screwing up voice leading, which is daft) or you do (which, by
> Martyn's definition is daft.)
> 
> The obvious conclusion is that any theorbo player who isn't rich and
> wishes to play music written for double-reentrant theorbo is daft.
> 
> So, by logical extension, being poor and wanting to play some of the
> most beautiful music (or quirky, or whatever happens to attract you to
> the music) means you are daft.
> 
> But then, isn't a fundamental criterion for playing a 5' or 6' long,
> delicate instrument with enough strings to pass for a small harp, as
> long as it doesn't involve passing through a door, being daft?
> 
> So I guess I don't see the purpose in this particular set of decision
> criteria.
> 
> ray
> 
> 
> 
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