Hi Nancy, Thanks for the email. I'd love a copy of the interview. I should also talk with you about formally joining LSA : ) Tom > I am also a big Renbourn fan and agree that he has great > technique.Those early records of his were a big inspiration years ago. > We published a nice interview with him in the LSA Quarterly a while > back. I anyone does not have it email me and I can send you a copy. > Nancy > > > At 03:35 PM 7/12/2011, [email protected] wrote: > Thanks! Yes, I've been a Renbourn fan since I was in high school > (37 years ago!!). I've had the opportunity to watch him play in > very small venues. His technique is impeccable. Trotto / > Saltarello from his Lady and the Unicorn LP was the first thing I > ever heard from him. I had been strumming Beatles and Cat Stevens > songs for 9 years, and my older brother came home from college > with the LP and a brotherly, "Let's see you do that." OMG! My jaw > dropped.I'm still trying to play like that - trying ... > BTW, is it "synchronicity" ? > Tom > > Hey Tom, > > > > its so strange that you should mention that particular > Sarabande. Just > the other day I watched a movie where it was the > main musical theme, > and I've been playing that one (in Segovia's > arrangement) for as long > as I can remember on the guitar. Its a > highly evocative piece. > > I've been searching my mind the whole > day for the correct name for > such an ocurrence, (where something > you have just experienced or said > or thought about pops up > simultaneously somewhere completely else. But > the term evades > me.....help anyone?) > > And I'm definitely a dedicated Renbourne > fan. He has done wonders for > the appreciation of olde muzac. Who > of us players just couldn't just > love his trotto suite and the > dump? > > G. > > ----- Original Message ----- > From: > <[email protected]> > To: <[email protected]>; "G. > Crona"<[email protected]> > Sent: Tuesday, July 12, 2011 4:15 AM > > Subject: Re: [LUTE] Re: What's the point to 'historical sound' > > > > This makes me think of a wonderful recording by John Renbourn > of the > famous Sarabande by J.S. Bach from Partita No.1 BWV 1002 > for > Unaccompanied Violin. He played it on an Epiphone Casino > hollowbody > electric guitar with tremelo and reverb. > > http://www.amazon.com/Lady-Unicorn-John-Renbourn/dp/B000000E9F > (The > entire LP is wonderful.) > Renbourn states on the liner > notes that he was in no way trying to > be > historic, > but to > bsaically breathe new life into some ancient pieces. I think > he > succeeded. > > > > To get on or off this list see list information > at > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html > > > Tom Draughon > Heartistry Music > http://www.heartistry.com/artists/tom.html > 714 9th Avenue West > Ashland, WI 54806 > 715-682-9362 > Nancy Carlin Associates > P.O. Box 6499 > Concord, CA 94524 USA > phone 925/686-5800 fax 925/680-2582 > web sites - www.nancycarlinassociates.com > www.groundsanddivisions.info > > Representing: > FROM WALES - Crasdant & Carreg Lafar, FROM ENGLAND - Jez Lowe & Jez > Lowe & The Bad Pennies, and now representing EARLY MUSIC - The Venere > Lute Quartet, The Good Pennyworths &Morrongiello & Young > > Administrator THE LUTE SOCIETY OF AMERICA > web site - http://LuteSocietyofAmerica.org >
Tom Draughon Heartistry Music http://www.heartistry.com/artists/tom.html 714 9th Avenue West Ashland, WI 54806 715-682-9362 To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
