I have always enjoyed John Renborne's music - even though he plays
   steel-string guitar, his understand of early music shines through.
   I am about to mail the next Quarterly, which has the first of a series
   of articles on teaching the lute to children, by Susan King. In this
   one she interviewed Anne Bailes. We also have another installment of
   Andrew Hartig's series on wire-string instruments, this time the
   baroque citterns and their relatives.  In the next Quarterly we will
   start a series of articles by Cathy Liddell teaching how to read all
   the varieties of German tablature.
   I can't offer this current issue for free yet, but if anyone else wants
   a copy of the John Renborne issue email me with a snail mail address.
   Nancy

     Many thanks to Nancy and Denys for the interesting Renbourn
     interview from LSA Quarterly Sept. 06!
     Especially funny to read about the Newsidler "Judentanz" that had
     musicologists baffled in those early days because they couldn't read
     the German tablature properly (dash above cipher) and therefore
     totally misjudged the piece as an atonal piece centuries ahead of
     its time.
     Luckily, thanks to David Munrow who was there on recorder, they were
     able to put things straight. But they still bowed to contemporary
     musicologist knowledge and recorded a faulty atonal version as well.
     Shows you never to put too much trust in your contemporary
     musicologists! He-he ;)
     G.
     ----- Original Message ----- From: "Nancy Carlin"
     <[email protected]>
     To: <[email protected]>; "Lutelist" <[email protected]>;
     "G. Crona" <[email protected]>
     Sent: Wednesday, July 13, 2011 1:45 AM
     Subject: [LUTE] Re: What's the point to 'historical sound'

       I am also a big Renbourn fan and agree that he has great
     technique.
       Those early records of his were a big inspiration years ago.  We
       published a nice interview with him in the LSA Quarterly a while
     back.
       I anyone does not have it email me and I can send you a copy.
       Nancy

     To get on or off this list see list information at
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   Nancy Carlin Associates
   P.O. Box 6499
   Concord, CA 94524  USA
   phone 925/686-5800 fax 925/680-2582
   web sites - [2]www.nancycarlinassociates.com
   [3]www.groundsanddivisions.info
   Representing:
   FROM WALES - Crasdant  & Carreg Lafar,  FROM ENGLAND - Jez Lowe & Jez
   Lowe & The Bad Pennies, and now representing EARLY MUSIC - The Venere
   Lute Quartet, The Good Pennyworths & Morrongiello & Young
   Administrator THE LUTE SOCIETY OF AMERICA
   web site - [4]http://LuteSocietyofAmerica.org
   --

References

   1. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   2. http://www.nancycarlinassociates.com/
   3. http://www.groundsanddivisions.info/
   4. http://lutesocietyofamerica.org/

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