Here is a courante I played on theorbo and I feel in that moment that
   this was the good tempo for this one.

   And sometimes is very interesting to discuss about tempos which are
   sometimes so relative...

   (home recording using a ZOOM H1-minimal editing)

   [1]http://www.youtube.com/watch?v=jI8NgwlFU58

   All the best,

   Caius Hera
   --- On Wed, 3/28/12, Monica Pustilnik <[email protected]> wrote:

     From: Monica Pustilnik <[email protected]>
     Subject: [LUTE] Re: Vimeo: Monica Pustilnik playing Piccinini
     To: [email protected]
     Date: Wednesday, March 28, 2012, 1:23 AM

       May I say something? I'd rather like to think in a healthy
   technique,
      that allows adapting each player's physiology to the artistic and
      expressive needs, and the particular instrument. Let's face the
      question about nails vs flesh: both are mentioned as possibilities
   in
      the historical sources. In my particular case, now i do use short
      nails, and this out of my will of experimentation. I do not play
      classical guitar since 15 years ago, and the reason for my RH
   tecnique
      is therefore not the guitar, but a decission concerning the best way
   to
      use my particular physiology, as I said before.
      Thank you in any case for your opinion!
      Hera, I do agree with you: it is a little bit too slow, for me as
      well.... nevertheless, I do indulge in playng it slow because I feel
   it
      could work given the texture of the piece.
      Nothing is permanent, let's experiment...
      Cheers,
      Monica
      --- En date de : Mar 27.3.12, Mathias Roesel
      <[2][email protected]> a ecrit :
        De: Mathias Roesel <[3][email protected]>
        Objet: [LUTE] Re: Vimeo: Monica Pustilnik playing Piccinini
        A: "'ml'" <[4][email protected]>
        Cc: "Lute List" <[5][email protected]>
        Date: Mardi 27 mars 2012, 12h40
      > >> In it Monica Pustilnik plays Corrente VI from Piccinini's 1639
      book.
      > >>
      > >> The archlute was made by Francisco Hervas (Granada).
      > >
      > > Thanks for sharing, Manolo! This is another example, though, of
   RH
      > > modern guitar playing technique, as regards position close to
   the
      rose
      > > and thumb-in. Amazing anyway.
      > I don't understand what you mean, though... RH modern guitar
   playing
      > technique would imply thumb-out, not thumb-in, right?
      Yes, indeed. What I was referring to is the position of her right
   hand
      close
      to the bridge, her playing with nails, and the initial movements of
   her
      index and middle fingers from the root joints. That's how I was
   taught
      to
      play the classical guitar. When I picked up the lute, it was the
      renaissance
      lute first, and I was taught to turn my right arm around and play
      thumb-in.
      That blend of techniques betrays former guitarists who haven't
      abandoned the
      classical guitar.
      Don't get me wrong, though, Monica Pustilnik is an amazing player
   IMHO.
      She
      has been Evangelina Mascardi's partner on their marvellous Castaldi
   CD
      (strongly recommended).
      Mathias
      To get on or off this list see list information at
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References

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