Thanks, Arto.  I'm glad to know there are other happy existentialists
   out there, riffing on the absurdity of it all.
   Ron
   > Date: Sun, 1 Jul 2012 22:35:41 +0300
   > To: [email protected]
   > CC: [email protected]
   > From: [email protected]
   > Subject: [LUTE] Re: Tuning
   >
   >
   > Ron, I love your comment on this subject! :-)
   >
   > Arto
   >
   > On 25/06/12 16:13, Ron Andrico wrote:
   > > I have to say, I'm always amused by these discussions that broadly
   > > outline the imprint of theoretical measurements on the phenomenon
   of
   > > sound. If we look at all the factors, including thickness and
   > > stiffness of string material, variability in trueness of dimension,
   > > interference of temperature and humidity (and probably barometric
   > > pressure) on the transmission of sound, proximate acoustical
   > > deflections, damping caused by skin oils, distortion caused by
   finger
   > > pressure, variability caused by thickness of fret material, wave
   > > interference from nut, bridge, soundboard materials, etc. Then
   there
   > > is the phenomenon that different ears hear the pitch differently.
   Where
   > > do we stop? I say train your ears and tune to the best of your
   ability.
   > > RA
   > > > Date: Mon, 25 Jun 2012 13:24:40 +0100
   > > > To: [email protected]
   > > > From: [email protected]
   > > > Subject: [LUTE] Re: Tuning
   > > >
   > > > with apologies to those who aren't interested ;-)
   > > >
   > > > For a plucked instrument the finger on the node is removed from
   the
   > > string just after the pluck. (otherwise the sound is damped)
   > > >
   > > > Indeed, having sharp harmonics is a property of all strings
   outside
   > > the physics lesson, as any piano tuner knows.
   > > >
   > > > Also, if you use an oscilloscope to view the waveform, and hit
   the
   > > harmonic partially so that some of the fundamental also sounds, you
   can
   > > see the waveform of the harmonic moving against that of the
   > > fundamental.
   > > >
   > > > For a bowed instrument, I suspect the harmonics are in tune as
   long
   > > as the bow is driving the string.
   > > >
   > > > andy
   > > >
   > > > Philip Brown wrote:
   > > > > That may be true, but a more obvious cause would be that the
   total
   > > > > length of vibrating string is reduced by the width of the area
   of
   > > > > contact of the finger.
   > > > >
   > > > > Cheers
   > > > >
   > > > > Philip Brown
   > > > >
   > > > > On Mon, Jun 25, 2012 at 9:00 AM,<[email protected]> wrote:
   > > > >> They would be for a perfectly thin flexible string - but
   string
   > > stiffness sharpens the higher harmonics.
   > > > >> Bill
   > > >
   > > > >> On 25 June 2012 09:39, andy butler<[email protected]>
   wrote:
   > > > >>> Harmonics on a plucked string are a little bit sharp,
   > > > >> Isn't it the case that harmonics are pure by definition?
   > > > >>
   > > > >> David
   > > > >>
   > > >
   > > >
   > > >
   > > > To get on or off this list see list information at
   > > > http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   > >
   > > --
   > >
   >
   >

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