Milan also notated the top string as the upper line didn't he? Op 21 jan 2013, om 19:01 heeft Monica Hall het volgende geschreven:
> Yes - that is certainly so - I had forgotten that. It suggest Neapolitan but > doesn't prove what shape the instrument was. > > Monica > > ----- Original Message ----- From: "Gary R. Boye" <[email protected]> > To: "Monica Hall" <[email protected]> > Cc: "Sean Smith" <[email protected]>; "Lutelist" <[email protected]> > Sent: Monday, January 21, 2013 5:29 PM > Subject: [LUTE] Re: Calata de StrAmbotto > > >> Monica et al., >> >> Note also that--very unusually--the Barberiis pieces are in inverted Italian >> tablature . . . with the upper line being the highest pitched string. >> Another indication that they are somehow unique? >> >> Gary >> >> On 1/21/2013 5:38 AM, Monica Hall wrote: >>> I am afraid the pieces in Barberiis are probably not for the 4-course >>> guitar but - as Stuart has kindly pointed out with the appropriate >>> reference - for a small 4-course lute or mandora. >>> >>> Renato Meucci, Da 'chitarra italiana' a 'chitarrone': una nuova >>> interpretazione; in Enrico Radesca da Foggia e il suo tempo Atti del >>> Convegno di studi, Foggia 7-8 Aprile 2000, pp. 30 - 57. >>> >>> There is a case to be made that this music by Bareriis isn't for >>> figure-of-eight 'normal'-if-tiny 'Spanish guitar but for a small >>> gittern/mandore-type instrument. >>> >>> There no hard evidence that the 4-course guitar was played in Italy. >>> >>> Monica >>> >>> >>> >>> >>> ----- Original Message ----- From: "Sean Smith" <[email protected]> >>> To: "lute" <[email protected]> >>> Sent: Sunday, January 20, 2013 10:51 PM >>> Subject: [LUTE] Re: Calata de StrAmbotto >>> >>> >>>> >>>> Thanks for the reminder, Arthur. I knew about these but had forgotten >>>> them >>>> (too). It is more support that the little guitar was being played and >>>> even >>>> written for. >>>> >>>> Sean >>>> >>>> >>>> On Jan 20, 2013, at 2:32 PM, Arthur Ness wrote: >>>> >>>> The link is at the very bttom. >>>> ----- Original Message ----- From: "Arthur Ness" >>>> <[email protected]> >>>> To: "Monica Hall" <[email protected]>; "Sean Smith" >>>> <[email protected]> >>>> Cc: "Lutelist" <[email protected]> >>>> Sent: Sunday, January 20, 2013 5:21 PM >>>> Subject: [LUTE] Re: Calata de StrAmbotto >>>> >>>> >>>>> Monica surely has simply forgotten about these Italian guitar pieces. >>>>> Just four pieces in a century is virtually the same as saying there are >>>>> no pieces.<g>: >>>>> See [1]http://purl.org/rism/BI/1549/39 Sigs, Gg24v-Hh1v (last two >>>>> pages)<<<snip>>> >>>>> References >>>>> 1. http://purl.org/rism/BI/1549/39 >>>>> 2. mailto:[email protected] >>>>> 3. mailto:[email protected] >>>>> 4. mailto:[email protected] >>>>> 5. mailto:[email protected] >>>>> 6. mailto:[email protected] >>>>> 7. mailto:[email protected] >>>>> 8. mailto:[email protected] >>>>> 9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>>>> >>>> >>>> >>>> >>>> To get on or off this list see list information at >>>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>>> >>>> >>> >>> >> >> -- >> Dr. Gary R. Boye >> Professor and Music Librarian >> Appalachian State University >> > >
