Yes he did....
Monica
----- Original Message -----
From: "Lex van Sante" <[email protected]>
To: "lute mailing list list" <[email protected]>
Sent: Monday, January 21, 2013 6:14 PM
Subject: [LUTE] Re: Calata de StrAmbotto
Milan also notated the top string as the upper line didn't he?
Op 21 jan 2013, om 19:01 heeft Monica Hall het volgende geschreven:
Yes - that is certainly so - I had forgotten that. It suggest Neapolitan
but doesn't prove what shape the instrument was.
Monica
----- Original Message ----- From: "Gary R. Boye" <[email protected]>
To: "Monica Hall" <[email protected]>
Cc: "Sean Smith" <[email protected]>; "Lutelist" <[email protected]>
Sent: Monday, January 21, 2013 5:29 PM
Subject: [LUTE] Re: Calata de StrAmbotto
Monica et al.,
Note also that--very unusually--the Barberiis pieces are in inverted
Italian tablature . . . with the upper line being the highest pitched
string. Another indication that they are somehow unique?
Gary
On 1/21/2013 5:38 AM, Monica Hall wrote:
I am afraid the pieces in Barberiis are probably not for the 4-course
guitar but - as Stuart has kindly pointed out with the appropriate
reference - for a small 4-course lute or mandora.
Renato Meucci, Da 'chitarra italiana' a 'chitarrone': una nuova
interpretazione; in Enrico Radesca da Foggia e il suo tempo Atti del
Convegno di studi, Foggia 7-8 Aprile 2000, pp. 30 - 57.
There is a case to be made that this music by Bareriis isn't for
figure-of-eight 'normal'-if-tiny 'Spanish guitar but for a small
gittern/mandore-type instrument.
There no hard evidence that the 4-course guitar was played in Italy.
Monica
----- Original Message ----- From: "Sean Smith" <[email protected]>
To: "lute" <[email protected]>
Sent: Sunday, January 20, 2013 10:51 PM
Subject: [LUTE] Re: Calata de StrAmbotto
Thanks for the reminder, Arthur. I knew about these but had forgotten
them
(too). It is more support that the little guitar was being played and
even
written for.
Sean
On Jan 20, 2013, at 2:32 PM, Arthur Ness wrote:
The link is at the very bttom.
----- Original Message ----- From: "Arthur Ness"
<[email protected]>
To: "Monica Hall" <[email protected]>; "Sean Smith"
<[email protected]>
Cc: "Lutelist" <[email protected]>
Sent: Sunday, January 20, 2013 5:21 PM
Subject: [LUTE] Re: Calata de StrAmbotto
Monica surely has simply forgotten about these Italian guitar pieces.
Just four pieces in a century is virtually the same as saying there
are
no pieces.<g>:
See [1]http://purl.org/rism/BI/1549/39 Sigs, Gg24v-Hh1v (last two
pages)<<<snip>>>
References
1. http://purl.org/rism/BI/1549/39
2. mailto:[email protected]
3. mailto:[email protected]
4. mailto:[email protected]
5. mailto:[email protected]
6. mailto:[email protected]
7. mailto:[email protected]
8. mailto:[email protected]
9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
