Dear Bill,

   Yes to all of that!

   Meanwhile if we wonder about alterations, do you notice that you can
   see right through one of the wings to the windowframe behind? Frankly
   the wings look rather out of period and style when taken together with
   the secular detailed nature of the clothing. The nice touch of the
   tuning hammer on the ironed cloth by the harpsichord also suggests the
   artist knew the other instrument too. It all looks very domestic, not
   quite how I imagine the angels behaving, and anyway where are the wings
   of the motherly soul playing harpsichord?

   Do you happen to know where it lives at the moment?

   Best wishes,

   David

   At 17:41 +0000 4/2/13, William Samson wrote:

     Hi David and Roman,



     Yes - The Rauwolf/Molinaer type what what first occurred to me, but
     the basses wouldn't be offset in that case.  Another oddity is the
     very narrow, parallel-sided neck which wouldn't match Rauwolf (or
     any other lute) either.  And yet, to me, the body of the lute is
     perfectly proportioned - Rose in the right place; bridge details
     correct - suggesting that the artist knew his lutes.  So why the odd
     neck?



     I wonder if the painting was altered at some stage by another
     artist?  Maybe it was originally a big 7c or 8c instrument and
     somebody decided to bring it 'up to date' with an extended neck and
     a load of diapasons.



     Anyway - I very much doubt if we've hit upon a new, hitherto unknown
     lute type.



     Best regards,



     Bill

     From: David Van Edwards <[email protected]>
     To: William Samson <[email protected]>
     Cc: Lute List <[email protected]>
     Sent: Monday, 4 February 2013, 15:07
     Subject: Re: [LUTE] Lute painting

     Dear Bill,
     I assume one of these.
     [1]http://www.vanedwards.co.uk/93.tif
     Sixtus Rauwolf Augsburg 1599 now in Copenhagen No. 93
     This is the sole survivor of this type that Molenaer made famous.
     But
     your painting has the lower strings offset in in a strange, rather
     excessive, manner.  Maybe a case of dodgy perspective rather than
     distortion. But if the offset is genuine then the upper pegbox must
     be something other, and to me unknown.
     Best wishes,
     David
     At 13:54 +0000 4/2/13, William Samson wrote:
     >    I wonder what the layout of the upper head of this lute might
     be?
     >
     >    [1][2]http://www.cs.dartmouth.edu/~wbc/icon/party-1.gif
     >
     >    Artist Jacopo Vignale, early 17th Century.
     >
     >    Bill
     >
     >    --
     >
     >References
     >
     >    1. [3]http://www.cs.dartmouth.edu/~wbc/icon/party-1.gif
     >
     >
     >To get on or off this list see list information at
     >[4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     --
     The Smokehouse,
     6 Whitwell Road,
     Norwich,  NR1 4HB
     England.
     Telephone: + 44 (0)1603 629899
     Website: [5]http://www.vanedwards.co.uk/

--

   The Smokehouse,
   6 Whitwell Road,
   Norwich,  NR1 4HB
   England.

   Telephone: + 44 (0)1603 629899
   Website: http://www.vanedwards.co.uk

   --

References

   1. http://www.vanedwards.co.uk/93.tif
   2. http://www.cs.dartmouth.edu/~wbc/icon/party-1.gif
   3. http://www.cs.dartmouth.edu/~wbc/icon/party-1.gif
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   5. http://www.vanedwards.co.uk/

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