Other than "why's it bent like that?" the one thing I can count on
   hearing from someone who's never seen a lute before is "you should play
   at the renaissance festival!"  Tips and cd sales would be the only way
   of making money at that.  I'd hope that I'd break even after buying
   some silly costume, and that's why I have to say no.

   On Friday, August 9, 2013, wrote:

       Yes - unfortunately, "Renaissance Faires" have been rife with guys
     in running shoes and a smock playing Stan Rogers songs on Guild
     guitars.
       But this does not mean that things can't change.
       My son worked Ren Faires for awhile, and there was quite a lot of
     interest amongst the participants in Paul Odette's CDs.  I think the
     Ren
     Faire folks would actually love to have some real lute players, but
     Ren
     Faires don't pay anything.  Most entertainers who work them make
     their
     income selling CDs and DVDs.
       Back to the part about interest: the interest is there.  I'm not
     suggesting
     that anybody on this list would want to try playing at a Ren Faire.
      I AM
     suggesting that there are potential audience members and recorded
     music
     consumers in this crowd.
       Personally, it doesn't matter to me if my audience members like to
     hurl large weapons at each other in their spare time, as long as
     they
     aren't hurling them at me.  I would rather have a large audience
     full of
     prople who simply think that what I do is cool, than to have a
     miniscule
     audience of highly opinionated academics waiting to pounce on my
     first
     mistake and tear me apart in a bad review.
       "Riverdance" brought attention to Celtic music.  And many celtic
     bands
     capitalized on riding that wave of success.
       "O Brother Where Art Thou" brought attention to Appalachian
     Traditional
     music, and ultimately resulted in success for musicians like Alison
     Krauss,
     who, even though they are great musicians, might be unheard of today
     if
     not for that movie.
       Similarly, those who love movies like Robin Hood and Lord of the
     Rings,
     or Sting's Dowland project, I think, are potential audience for lute
     recordings
     and concerts.  How to get the word out to them that these recordings
     and
     concerts exist is an issue.  Also, how to make an Early Music
     concert
     an occasion that's not dry, pedantic and stuffy might be another
     issue.
       One VERY good way of increasing awareness is school outreach.  Any
     time you are performing in a community see if the presenters can
     partner
     with the school system.  Kids will be impressed by the instruments,
     and
     it will leave a good lasting impression.  I was able to get Jacques
     Ogg
     and members of Lyra Baroque into our elementary school.  How cool is
     that!
       Tom
        I must extend my sincerest thanks to ye olde SCA. I once went to
     a
        Renaissance "Faire" with a fellow modern musician (it was his
        suggestion). He said, "I'll bet you're happy. This is one place
        you'll see plenty of lutes in action." I wagered him a very hefty
        sum that we would not see or hear any lutes there. It was a most
        profitable day for me. Thanks again, SCA! Chris
        Dr. Christopher Wilke D.M.A.
        Lutenist, Guitarist and Composer
        [1]www.christopherwilke.com
     ____________________________________________________________
     _____
          _
        From: "Braig, Eugene" <[2][email protected]>
        To: "[3][email protected]" <[4][email protected]>
        Sent: Thursday, August 8, 2013 6:12 PM
        Subject: [LUTE] Re: general public Lute awareness
        . . . Many (certainly not all) somehow believing that assuming a
        bad cockney accent; whacking each other with wooden weapons while
        feigning the inability to use struck limbs; and listening to
     modern
        Irish, Scottish, or English folk songs strummed by steel-strung
        acoustic instruments somehow relates to
        late-medieval/early-renaissance life. If that's your thing, go
     for
        it.  Myself, I kinda prefer music. -----Original Message-----
     From:
        [1][5][email protected]
     [mailto:[2][6][email protected]]
        On Behalf Of [3][7][email protected] Sent: Thursday, August
     08,
        2013 5:37 PM To: Stephen Fryer Cc: [4][8][email protected];
        Nancy Carlin; [5][9][email protected]; R. Mattes;
        [6][10][email protected] Subject: [LUTE] Re: general public
     Lute
        awareness For those who don't speak American, and don't know
        American mores: SCA is the Society for Creative Anachronism, and
     it
        has nothing to do with NYSCA, which is the New York State Council
        on the Arts. The latter is a venerable institution that funds
     arts
        here, and the former is group of uncultured boors in silly
     costumes
        who managed to completely destroy the NY Medieval Festival at
        Cloisters. RT On 8/8/2013 5:25 PM, [7][11][email protected]
     wrote: >
        No, it's just the stench that is insufferable. > RT > > > On
        8/8/2013 5:23 PM, Stephen Fryer wrote: >> Well if you're afraid
     to
        get that close, you must be pretty scared of >> them. >> Stephen
        Fryer >> >> On 08/08/2013 2:00 PM, [8][12][email protected]
     wrote:
        >>> It doesn't, >>> but I don't have any poles over 10' here. >>>
        RT >>> >>> On 8/8/2013 4:55 PM, Stephen Fryer wrote: >>>> Why
     does
        it frighten you? >>>> Stephen Fryer >>>> >>>> On 07/08/2013 11:15
        PM, [9][13][email protected] wrote: >>>>> That's one scary
     thought.
        >>>>> RT >>>>> >>>>> >>>>> On 8/7/2013 10:28 PM,
        [10][14][email protected] wrote: >>>>> >>>>>> Why not
     lutes?  Get
        the SCA involved! >>>>> >> >> > > > > To get on or off this list
        see list information at >
        [11][15]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
        --
     References
        1. mailto:[16][email protected]
        2. mailto:[17][email protected]
        3. mailto:[18][email protected]
        4. mailto:[19][email protected]
        5. mailto:[20][email protected]
        6. mailto:[21][email protected]
        7. mailto:[22][email protected]
        8. mailto:[23][email protected]
        9. mailto:[24][email protected]
       10. mailto:[25][email protected]
       11. [26]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
     Tom Draughon
     Heartistry Music
     [27]http://www.heartistrymusic.com/artists/tom.html
     714  9th Avenue West
     Ashland, WI  54806
     715-682-9362
     To get on or off this list see list information at
     [28]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://www.christopherwilke.com/
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  15. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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  26. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  27. http://www.heartistrymusic.com/artists/tom.html
  28. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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