Excellent points, all.

Eugene


-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of 
[email protected]
Sent: Friday, August 09, 2013 2:43 PM
To: Braig, Eugene; [email protected]; Christopher Wilke
Subject: [LUTE] Re: general public Lute awareness

  Yes - unfortunately, "Renaissance Faires" have been rife with guys in running 
shoes and a smock playing Stan Rogers songs on Guild guitars.
  But this does not mean that things can't change.  
  My son worked Ren Faires for awhile, and there was quite a lot of interest 
amongst the participants in Paul Odette's CDs.  I think the Ren Faire folks 
would actually love to have some real lute players, but Ren Faires don't pay 
anything.  Most entertainers who work them make their income selling CDs and 
DVDs.  
  Back to the part about interest: the interest is there.  I'm not suggesting 
that anybody on this list would want to try playing at a Ren Faire.  I AM 
suggesting that there are potential audience members and recorded music 
consumers in this crowd.
  Personally, it doesn't matter to me if my audience members like to hurl large 
weapons at each other in their spare time, as long as they aren't hurling them 
at me.  I would rather have a large audience full of prople who simply think 
that what I do is cool, than to have a miniscule audience of highly opinionated 
academics waiting to pounce on my first mistake and tear me apart in a bad 
review.
  "Riverdance" brought attention to Celtic music.  And many celtic bands 
capitalized on riding that wave of success.
  "O Brother Where Art Thou" brought attention to Appalachian Traditional 
music, and ultimately resulted in success for musicians like Alison Krauss, 
who, even though they are great musicians, might be unheard of today if not for 
that movie.
  Similarly, those who love movies like Robin Hood and Lord of the Rings, or 
Sting's Dowland project, I think, are potential audience for lute recordings 
and concerts.  How to get the word out to them that these recordings and 
concerts exist is an issue.  Also, how to make an Early Music concert an 
occasion that's not dry, pedantic and stuffy might be another issue.
  One VERY good way of increasing awareness is school outreach.  Any time you 
are performing in a community see if the presenters can partner with the school 
system.  Kids will be impressed by the instruments, and it will leave a good 
lasting impression.  I was able to get Jacques Ogg and members of Lyra Baroque 
into our elementary school.  How cool is that!  
  Tom
  
   I must extend my sincerest thanks to ye olde SCA. I once went to a
   Renaissance "Faire" with a fellow modern musician (it was his
   suggestion). He said, "I'll bet you're happy. This is one place
   you'll see plenty of lutes in action." I wagered him a very hefty
   sum that we would not see or hear any lutes there. It was a most
   profitable day for me. Thanks again, SCA! Chris

   Dr. Christopher Wilke D.M.A.
   Lutenist, Guitarist and Composer
   www.christopherwilke.com
     
____________________________________________________________
_____
     _

   From: "Braig, Eugene" <[email protected]>
   To: "[email protected]" <[email protected]>
   Sent: Thursday, August 8, 2013 6:12 PM
   Subject: [LUTE] Re: general public Lute awareness
   . . . Many (certainly not all) somehow believing that assuming a
   bad cockney accent; whacking each other with wooden weapons while
   feigning the inability to use struck limbs; and listening to modern
   Irish, Scottish, or English folk songs strummed by steel-strung
   acoustic instruments somehow relates to
   late-medieval/early-renaissance life. If that's your thing, go for
   it.  Myself, I kinda prefer music. -----Original Message----- From:
   [1][email protected] [mailto:[2][email protected]]
   On Behalf Of [3][email protected] Sent: Thursday, August 08,
   2013 5:37 PM To: Stephen Fryer Cc: [4][email protected];
   Nancy Carlin; [5][email protected]; R. Mattes;
   [6][email protected] Subject: [LUTE] Re: general public Lute
   awareness For those who don't speak American, and don't know
   American mores: SCA is the Society for Creative Anachronism, and it
   has nothing to do with NYSCA, which is the New York State Council
   on the Arts. The latter is a venerable institution that funds arts
   here, and the former is group of uncultured boors in silly costumes
   who managed to completely destroy the NY Medieval Festival at
   Cloisters. RT On 8/8/2013 5:25 PM, [7][email protected] wrote: >
   No, it's just the stench that is insufferable. > RT > > > On
   8/8/2013 5:23 PM, Stephen Fryer wrote: >> Well if you're afraid to
   get that close, you must be pretty scared of >> them. >> Stephen
   Fryer >> >> On 08/08/2013 2:00 PM, [8][email protected] wrote:
   >>> It doesn't, >>> but I don't have any poles over 10' here. >>>
   RT >>> >>> On 8/8/2013 4:55 PM, Stephen Fryer wrote: >>>> Why does
   it frighten you? >>>> Stephen Fryer >>>> >>>> On 07/08/2013 11:15
   PM, [9][email protected] wrote: >>>>> That's one scary thought.
   >>>>> RT >>>>> >>>>> >>>>> On 8/7/2013 10:28 PM,
   [10][email protected] wrote: >>>>> >>>>>> Why not lutes?  Get
   the SCA involved! >>>>> >> >> > > > > To get on or off this list
   see list information at >
   [11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:[email protected]
   2. mailto:[email protected]
   3. mailto:[email protected]
   4. mailto:[email protected]
   5. mailto:[email protected]
   6. mailto:[email protected]
   7. mailto:[email protected]
   8. mailto:[email protected]
   9. mailto:[email protected]
  10. mailto:[email protected]
  11. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


Tom Draughon
Heartistry Music
http://www.heartistrymusic.com/artists/tom.html
714  9th Avenue West
Ashland, WI  54806
715-682-9362



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