Anthony:

Looking at the Minuet provided as a sample page raises some questions about
the notation.

The use of square brackets (rather than curly braces) at the beginning of
each system implies that these are two separate instruments; thus the top
staff is for the lute, and the bottom one is for the B.c. (That is to say
this is not a grand-staff presentation of the lute part alone, and the
continuo is on a separate page.)

The question then becomes, what is the tuning of the lute?  Conventional
wisdom is that "the Italians never adopted the d-minor tuning."  So, if we
assume an ffeff tuned instrument in G, the notated pitch is quite
stratospheric, mostly above the 5th fret and hitting the 13th fret at one
point.  If we assume that the notation follows the modern guitar convention,
sounding an octave lower than written (in spite of the absence of an 8 below
the treble clef), then the music is quite easy, falling within the range of
a 6-course lute or mandora.  However, that puts many of the bass notes of
the lute below the B.c. part, which seems a bit strange.

Any additional information available?

Regards,

Daniel Heiman

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf
Of Anthony Hart
Sent: 12 April, 2014 06:03
To: lute
Subject: [LUTE] Lute sonatas of Antonino Reggio

   The lute sonatas of Antonino Reggio have now been published. Please
   visit [1]www.edizionear.com/lute.html

   Anthony Hart

   --

References

   1. http://www.edizionear.com/lute.html


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