Benjamin--
   Interesting, I've been ruminating on the same question.  Based on both
   repertoire & iconography, it does seem that the "double-headed" lute
   could answer for a wide range of 17th century tunings & solo works, as
   well as be entirely suited for 17th c. chamber continuo...at least
   non-Italian continuo.
   On the other hand, I've tried versatile instruments in the past, and
   they've not quite held my affections, so I might wait for you to try
   this experiment before I decide!
   tom
   > Date: Sat, 17 May 2014 19:08:47 +0200
   > To: [email protected]
   > From: [email protected]
   > Subject: [LUTE] 12 Course Lutes
   >
   > Dear All,
   >
   > Does anybody on this list have any experience with 12c lutes? I am
   > considering getting one if I can get the funds together and I would
   be
   > grateful for any counsel drawn from actual experience. I have never
   > even laid finger to fret on one of these lutes before, so it is a bit
   > of a leap of faith. That said, there is clearly so much music that
   > could be played in either "vieux ton" or "nouveau ton" on this lute,
   > and I think it is the ultimate historical continuo beast for so much
   > 17c repertoire, in particular English music (Purcell, Lawes, etc.)
   >
   > Also: string lengths. I know they can be very small (around 55cm) to
   > very big (perhaps 76cm or so). Any suggestions? I am kind of torn
   > between having perhaps a smaller solo instrument and a larger one
   that
   > I could use for accompaniment.
   >
   > Any thoughts?
   >
   > Best wishes,
   >
   > Benjamin
   >
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   > References
   >
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